Artworks in Strange Kinship look specifically at animals with significance to Butchulla Country—such as whales, sharks, dolphins and birds—exploring the very human ways in which we come to identify or disidentify with these species. Taking its name from the work of French philosopher Maurice Merleau-Ponty, Strange Kinship asks us to consider our co-habitation of a shared physical world, while acknowledging the unique ways we experience and inhabit it through our vastly different bodies.
Featured artists trace the importance of mythology, spirituality and storytelling in connecting with animals in the past and present. Some artworks delve into the deep human desire to communicate with and better understand non-human life, exposing the limits of our perception and prompting curious speculation. While other works reveal how animals are turned into images, products, and attractions—caught in cycles of consumption that threaten their survival.
Rather than attempting to represent non-human perspectives, Strange Kinship inverts the gaze, inviting deeper reflection on human nature and how culture shapes our perception of the world around us.
Featuring artworks by Allora & Calzadilla (in collaboration with Ted Chiang), Fernando do Campo, Dolphin Milk, Gabriella Hirst, Nicholas Mangan, Trent Mitchell, Deb Mostert, the Unbroken Whispers project team (Dr. Jodi Edwards, Natalia Baechtold & Dr Chels Marshall) and The Dolphin Embassy Archives (curated by the New Landscapes Institute).
Image credits:
Trent Mitchell, Boy in Boat, 2015, photographic print. Hervey Bay Regional Gallery Collection.
Strange Kinship installation images, Hervey Bay Regional Gallery. Photographer: Natasha Harth
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