How did early modern legal and poetic texts conjure an Anglo-British sea-empire when no ‘Great Britain’ existed?
Professor Lorna Hutson considers poets John Milton and Edmund Spenser, as well as English cartographers and lawyers, in the context of an international European concern with whether the seas should be ‘common’ to all nations. In the 17th century, the pressing question for European nations joining the race for overseas commercial empire was that of dominion over the sea, or of whether the sea was, according to the law of nations, res nullius or ‘common property.’
The talk asks how we might rethink Milton’s poetics of English freedom in the context of Anglo-imperial claims over British coastal waters, revealing the history we suppress when we speak of England in this period as an ‘island nation’.
Attend in person
Entry to this event is free but bookings are essential.
Watch online
The presentation will also be available online. Please make a booking and the Library’s Events team will send you a direct link to the livestream event via email. Or you can join anytime through the Library’s YouTube channel.
About the speaker
Lorna Hutson is Merton Professor of English Literature at the University of Oxford. She has taught at the Universities of St Andrews, the University of California, the University of Hull and Queen Mary University. Her books include Thomas Nashe in Context, The Usurer’s Daughter, The Invention of Suspicion and Circumstantial Shakespeare. With Victoria Kahn she edited Rhetoric and Law in Early Modern Europe. She is editor of the Oxford Handbook of English Law and Literature 1500-1700. She has held Guggenheim and Leverhulme fellowships, given the Oxford Wells Shakespeare Lectures (2012) and was Alice Griffin Shakespeare Fellow, University of Auckland (2012).
Lorna’s work has explored connections between legal and poetic thinking. The Invention of Suspicion traced innovations in English Renaissance dramaturgy to legal models of evaluating narrative probability, a topic further pursued in Circumstantial Shakespeare. England’s Insular Imagining explores the real-world effects of the poetic, legal and cartographic artifice of England’s imagined island geography. She is currently working, with Katrin Ettenhuber, on a project involving the rethinking of premodern probability.
Image credit: Briomatis jumps into the sea, image courtesy Lorna Hutson
For more information click here
