Wolfgang von Flugelhorn

Wolfgang von Flügelhorn is a writer and critic who lives and works in Walyalup (Fremantle) and Boorloo (Perth). His reviews and reflections can also be found on his Substack at: www.wolfgangvonflugelhorn.substack.com.

Wolfgang von Flugelhorn's Latest Articles

A two-storey structure, with separate rooms. There is a conductor at the front.
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Opera review: Innocence, Festival Theatre, Adelaide Festival

A complex and multilayered production about collective guilt and trauma that deployed different languages and singing styles.

Wolfgang von Flugelhorn

Mar 6, 2025
Rocío Molina, a dancing wearing a big ruffly pale blue dress. She is lying on the grown with her legs in the air that are covered by the flounces of the dress.
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Dance review: Caída del Cielo (Fallen from Heaven), Her Majesty's Theatre, Adelaide Festival

Flamenco dance and theatre about the agony and ecstasy of womanhood.

Wolfgang von Flugelhorn

Mar 4, 2025
A woman in a blue jumpsuit and yellow beanie facing a video camera. The background is of snowy mountains.
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Performance review: Night Night, State Theatre Centre WA, Perth Festival

A magical-realist show about the origins of life on earth.

Wolfgang von Flugelhorn

Mar 4, 2025
A large screen depicting a black and white screen showing a group of people in a field. There are musicians playing in the foreground.
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Performance reviews: Samsara: A Cine-Concert, Ultimate Safari, LEGENDS (of the Golden Arches) Perth Festival

Three short-run shows at Perth Festival explore a range of topics and mediums.

Wolfgang von Flugelhorn

Feb 26, 2025
A crowd of people are seated around a central area. In the middle of which is a screen that says "191. How do you know?"
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Performance review: 12 Last Songs, WA State Theatre Centre, Perth Festival

Experimental and unscripted, this interactive, community-driven performance lasted for 12 hours.

Wolfgang von Flugelhorn

Feb 18, 2025
Two men, one with a FBI vest, are on the left, with their arms pointing to a woman on the right.
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Theatre review: Is This A Room, State Theatre Centre of WA, Perth Festival

A real-life interrogation about Russian interference in the 2016 US election is recreated onstage.

Wolfgang von Flugelhorn

Feb 18, 2025
A white woman stands in front of a massive projection of herself in which she is pointing with her index finger in close up to the camera. Sarah Aiken. PICA
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Dance review: Make Your Life Count, PICA

An ambitious solo work that incorporates video and text.

Wolfgang von Flugelhorn

Apr 19, 2024
A person in an orange top manipulates two puppets - an old woman in a wicker chair and a young boy with a yellow jumper and orange hair. Wilfrid Gordon McDonald Partridge
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Performance review: Wilfrid Gordon McDonald Partridge, Claremont Showground

A puppetry show that lovingly explores an intergenerational bond.

Wolfgang von Flugelhorn

Apr 10, 2024
Qui a tué mon père. A man sits on a stage in front of a backdrop projection of an open road.
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Theatre review: Qui a tué mon père (Who Killed My Father), Adelaide Festival

A personal polemic addressing France’s neglect and contempt of the working class poor.

Wolfgang von Flugelhorn

Mar 12, 2024
Private View. Image is of a man with Down's syndrome standing in a room looking out of a window and holding a billowing yellow curtain. In the middle of the room is a smalll round table with a lit candle on it and two chairs. In the right hand top corner is a female figure in a slinky figure hugging red dress, with a lampshade obscuring her face and head.
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Dance review: Private View, Adelaide Festival

Stories of love and desire by dancers with and without a disability.

Wolfgang von Flugelhorn

Mar 7, 2024
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