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ICYMI: this week’s arts news round up
From going carbon neutral to axed and appointed directors, money for arts and disabilities and three years of a silo…
Review: Jane Doe, Sydney Fringe Festival
This production is gentle and respectful with a soft-spoken empathy that gives the viewer consent to add their voice to…
Off the road: why Australian roadies are at breaking point
Roadies are responsible for getting touring bands on and off stage, and around the country. They’re also at much greater…
Strengthening the status of the artist
NAVA’s Esther Anatolitis turns to UNESCO and Canadian legislation with the Status of the Artist Act as a guiding model…
On the move: the latest appointments and resignations
National Portrait Gallery appoints female director, Ausdance National appoints new Executive Director, Michelle Guthrie pushed from top ABC job, and…
Applause: latest funding and awards announced
Hurford Hardwood Portrait Prize People’s Choice Award winner announced, shortlist for NSW and Artspace Visual Arts Fellowship revealed, Rigg Design…
A tool for writers of every stripe – Final Draft’s new mission
Final Draft has set the standard in scriptwriting software for the last two decades. Now they’re looking beyond film and…
Review: Stalker the Musical, Depot Theatre
STALKER THE MUSICAL. It’s an arresting title. Slightly misleading though and the audience’s disambiguation of the word is all part…
How to care for your queer playwright
If we only focus on developing art that is readily consumable, we risk contributing to a homogenous theatre.
Review: In Between and Sexpectations, Sprung Festival
Charles Sturt University’s Theatre/Media studies students have wowed audiences once again with two new ‘Sprung Festival’ productions – In Between…