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Jack Edwards is becoming one of the most important figures in publishing
Still in his twenties, Jack Edwards has quickly become the UK's refined arbiter of good taste in literature.
Back to the Future: The Musical set for 2025 Sydney premiere
Everything you need to know about the Olivier Award-winning musical, which is based on the 1985 film starring Michael J…
Tarzan – The Stage Musical review: one for the Melbourne swingers
Tarzan excels is in the calibre of its cast and the dynamic presentation of Phil Collins’ score.
All the Way to the River review: Elizabeth Gilbert gets personal again
All the Way to the River chronicles Gilbert's decades-long friendship and romance with Rayya Elias.
Louise Wallace – five questions for the Ash author
Ash author Louise Wallace discusses her debut novel, what she's learned as a writer, and the link between novels and…
O,D,E review: Sage J Harlow's experimental opera about Orpheus & Eurydice thrills
O,D,E, based on the Ancient Greek story of Orpheus and Eurydice, is a treat for the soul.
On the move: latest arts sector appointments
Your weekly round-up of Australian arts sector appointments.
The Object Lesson review: Thomas Demand's AGNSW exhibition absorbs
The Object Lesson at AGNSW places Demand in the role of a curator instead of highlighting his own works.
The Magic Flute review: a first-of-its-kind opera collaboration in Adelaide
State Opera South Australia’s The Magic Flute is opera for our times.
No Dancing in the Lift, Mandy Sayer review: a vivid memoir
Sayer's No Dancing in the Lift paints an intimate portrait of an unconventional childhood.