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Review: Alchemic by Cassils, PICA
Two exhibitions at PICA give viewers the opportunity to confront, and to change, societal perceptions of complicit violence, making them…
Review: Jesus Christ Superstar, Riverside Theatres
With attention to detail, historical research and the assembling of a skilled company, this Jesus Christ Superstar is respectful, dramatic…
Review: A Family Outing – 20 Years On, Perth Festival
Twenty years after performing alongside her parents, Ursula Martinez revisits the conceit after her father's death and as her mother…
Review: Love, Displaced, Lawrence Wilson Art Gallery, Perth
Love, Displaced reminds us that we can still find empathy and pause in our era of 21st century screen culture,…
Review: MTC’s The Lady in the Van, and Malthouse's Barbara and the Camp Dogs
Melbourne’s two major theatre companies open significant productions a night apart, and never has the contrast between the companies been…
How legislation has given AGNSW the blockbuster edge
Protection against seizure and restitution has enabled some of China's most important objects, once housed in the Imperial Palace and…
ArtsHub and Screenhub appoint George Dunford as new Content Director
Dunford has had a wide-ranging career in digital leadership, and will be relocating from Canberra to Melbourne to take up…
Review: David Goldblatt: Photographs 1948-2018, MCA
This important piece of South African history teaches global lessons in humanity, tolerance and environmental respect. It’s an exhibition for…
Kip Williams on love and LGBTQI+ storytelling
A special panel discussion at NIDA will put LGBTQI+ storytelling and representation centre-stage this Valentine’s Day.
2019 Stella longlist celebrates the power of personal storytelling
Stella Prize judges said the books published in 2018 by Australian women were ‘a sample of the zeitgeist, a look…