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An installation of different free standing lights and a few on tan-coloured panels inside a space with high ceiling.
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Exhibition review: 100 Lights, Melbourne Design Week, Meat Market Stables

Enter a world (well three galleries-worth) of illumination in this dedicated exhibition of light.

'Threshold' (2025) by Angel is part of the exhibition 'A Narrow Strip Along a Steep Edge' and is described by this reviewer as an artwork 'which put a physical form to fear'.
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Exhibition review: A Narrow Strip Along a Steep Edge, Fort Lytton, Brisbane

An artistic activation of a Victorian-era fort in Brisbane could signal a passing of the (avant) guard.

Bright, colour paintings on a white wall. The photo is taken on on the diagonal.
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Exhibition review: Martin Claydon: Leaves of the Brush, CBD Gallery, Sydney 

Martin Claydon's work is busy, colourful and sumptuous.

A large sculpture of fish and chips in white paper wrapping.
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Exhibition review: The Dirty Dozen, Melbourne Town Hall

A celebration of Melbourne food past and present. 

A steel installation with a video projection screen on the right hand side, resembling a ramp for motorcycle stunts. It is installed inside a dark gallery space.
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Exhibition review: Tina Stefanou, You Can't See Speed, ACCA

‘You Can’t See Speed’ is a cinematic roller-coaster by Tina Stefanou, featuring blind motorcyclist Matthew Cassar.

Five busts of humans heads with branch-offshoots growing out of them.
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Exhibition review: Rowena Hannan, Group Show: Passage, Liza Posar, SOL Gallery

Symbolism and universal themes are explored in SOL’s latest visual buffet.

Monster figures in bright colours against a yellow background.
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Exhibition review: Aidan Filshie, Eddy Burger, Sophie Fitsioris and Olga Tsara, Artemisia Gallery and Event Space

Romantic landscapes, surrealist mutants and winter fashion all in one gallery.

Three panels featuring skeletons rendered in colour.
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Exhibition review: Top Arts 2025 group show, Ian Potter Centre, Federation Square

New artistic voices are given the limelight in a new exhibition at the Ian Potter Centre. 

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Outdoor exhibition review: Chihuly Nights, Adelaide Botanic Garden

With the autumn air settling over Adelaide, April is the last chance to see the stunning glass artistry of Chihuly…

de-centre re-centre: installation view of a photographic exhibition in a gallery space. Four landscape orientation photographs of faces of Aboriginal women are placed on a wall in the foreground of this image.
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Exhibition review: de-centre re-centre, Lawrence Wilson Art Gallery

A cohesive survey exhibition that points to the strong relevance of photographic media within the wider context of contemporary art.

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