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Four singers in black line up behind each other, first person crouching, so that the heads of each show above the person in front. The man at the back holds up a large perspex bowl full of coloured balls.
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Performance review: Broadway Bingo, Brisbane Powerhouse

An interactive and engaging approach to presenting classic musical hits, Broadway Bingo was a highly entertaining and fun night out.  

A bare stage aside from a single chair. To the left of it is a white teenaged girl looking anguished on the floor. An older white woman is behind her holding her and attempting to console her.
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Theatre review: The Almighty Sometimes, Southbank Theatre

The MTC's adaptation of this multi award-winning play about teenage mental illness is sensitive and nuanced.

Four actors on a stage. On the left a white haired white woman in black, behind her a woman in a long red dress, seated at a desk is a middle aged white man with a beard, and on the right is a man in military uniform. The President.
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Theatre review: The President, Roslyn Packer Theatre

A talented cast is wasted in this disappointing production.

Two men sit on chairs side by side. One reaches across to hold the hand of the other.
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Theatre review: A Case for The Existence of God, Red Stitch Actors' Theatre

A two-hander about close male friendships and mental health.

Possum Magic. Two actors in khaki style uniforms turn axles with a wheel on one side, while between them two white female actors are dressed as possums and are being transported. Behind the actors is a tree and a map of Australia on the back wall.
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Theatre review: Possum Magic, Alexander Theatre

A beloved children's book was theatrically transformed into a magical production.

A person in an orange top manipulates two puppets - an old woman in a wicker chair and a young boy with a yellow jumper and orange hair. Wilfrid Gordon McDonald Partridge
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Performance review: Wilfrid Gordon McDonald Partridge, Claremont Showground

A puppetry show that lovingly explores an intergenerational bond.

Loot. Three people on stage look down at a corpse in a coffin, a young man with a moustache, an older grey-haired man and a blonde woman in a nurse's uniform.
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Theatre review: Loot, AdAstra Theatre

Given a strong production and cast, Joe Orton’s celebrated 'Loot' is as relevant today as when it was first written.

Four people lie entwined in a group, they are all wearing white or cream coloured clothes. Closer. La Boite Theatre.
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Theatre review: Closer, La Boite Theatre

An enthralling tale about the contentious nature of love and lust.

Sydney Theatre Company. Into the Shimmering World. Image is a stage set of a farmhouse kitchen, set upon a platform with stairs up to it. Three of the four walls are missing and a man in farmer's clothes stands on the left of the platform with arms outstretched.
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Theatre review: Into the Shimmering World, Sydney Theatre Company Wharf Theatres

The brutality of the Australian landscape is evoked to tell a story of love, loss and renewal. 

James and the Giant Peach. A man dressed in boy's shorts and shirt has two people either side turned towards him and putting their hands on him, they are dressed as insects. They are all on a stage with a big orangey red backdrop and a couple of chairs, which could be representing the inside of a peach.
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Theatre review: James and the Giant Peach, QPAC

A visually splendid production that would have benefited from greater attention to the narrative.     

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