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Carcaca: ten contemporary dance performers dressed in a range of colourful and black cstumes dancing as a group on an open stage.
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Dance Review: CARCAÇA, State Theatre Centre, Perth Festival

While this high-octane, percussive dance work lacks a coherent conceptual thread, the individual energies of its cast carry it through.

Women's Circus. Four older woman huddle together bending over a metal frame against a green background. Small Acts of Resistance.
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Circus review: Small Acts of Resistance, Women’s Circus Gasworks Arts Park

Strong, simple, effective social circus, celebrating strength on every level.

a woman in a red hat and trench coat holds her splayed hands up beside her face. An Evening Without Kate Bush.
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Performance review: An Evening Without Kate Bush, Fairfax Studio, midsumma festival

For those who love Kate Bush, but also for those who don't... yet.

Two female performers are entwined on a trapeze.
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Performance review: Tender, Gasworks, midsumma festival

A sexy production for fans of aerial performance.

The album cover of Slowly Slowly's 'Forgiving Spree' feature male figures in black and white, with their heads not in frame.
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Album review: Forgiving Spree, Slowly Slowly

The new album is slowly gathering success for this pop punk and indie rock band.

A bald man with a beard is wearing a white t-shirt. An array of different coloured scarves are drapped over his shoulder.
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Performance review: The Hanky Code, FRINGE WORLD

What does a hanky have to do with your sexual journey?

A man in black is holding onto a blonde woman dressed in white. She is lying on the ground. To the left is another man looking on.
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Theatre review: Wuthering Heights, Roslyn Packer Theatre

Acclaimed British director Emma Rice brings a divisive adaptation of ‘Wuthering Heights’ to Sydney.

Jessi Ryan, seated and wearing a golden glittery dress and holding onto a mirror ball.
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Performance Review: QRAVE, Abbotsford Convent, midsumma

A combined performance and exhibition presenting queer histories.

Natalie Bassingthwaighte in 'Shirley Valetine.' She has frizzy blonde hairstyle and is wearing a pink jumper. She is opening a champagne bottle next to a fridge.
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Performance review: Shirley Valentine, Athenaeum Theatre

Willy Russell’s classic play of an oppressed woman’s mid-life self-discovery is as relevant today as it was in 1986.

A middle aged woman with short slicked back grey hair and round black framed glasses wearing a white shirt and black pants is sitting wither legs crossed and holding a champagne flute. She has a serious expression on her face and is looking slightly off camera. Tracy Mann. Aria by David Williamson.
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Theatre review: Aria, Ensemble Theatre

Putting the kibosh (again) on his ‘retirement’, renowned Australian playwright David Williamson delivers a timely and compelling study of narcissism.

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