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Wall mural in light filled gallery with tropical drawings in black and white and colourful flower. Brian Robinson
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Exhibition review: Brian Robinson and Prita Tina Yeganeh, Onespace

An unlikely but beautiful pairing of exhibitions that works.

coiled shiny gold fabric sculpture on gallery floor. Tarryn Gill.
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Exhibition review: Tarryn Gill: Soft, Gallery Sally Dan Cuthbert

Soft sculptures that challenge our perceptions of the body.

Installation view of 'Ivan Durrant: Marmalade Skies Through Opal Eyes' at Hamilton Gallery. L to R: 'Cavendish', 2023, and 'Murray River', 2021. Photo: Supplied. Two paintings showing blurry riverscapes with bright colours, seemingly drawn from a photograph.
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Exhibition review: Ivan Durrant: Marmalade Skies Through Opal Eyes, Hamilton Gallery

An exhibition that focuses on Ivan Durrant's commitment to colour and observations of the world around him.

'JXSH MVIR: Forever I Live', installation view at Koorie Heritage Trust. Left to right: 'The Heart', 2016; 'Oxymoron', 2015; 'William Buckley - Maquette', 2016 (mixed media sculpture); 'Still Here', 2015; 'The Empire', 2015 (top); 'Ticket to Projection', 2015 (middle), 'Skip to my Lou', 2015 (bottom). Photo: ArtsHub. Digital illustrations of Melbourne landmarks with red, black and yellow background hang on the walls. In front of them is a small sculpture of a human figure on a bright yellow plinth.
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Exhibition review: JXSH MVIR: Forever I Live, Koorie Heritage Trust

When kinship is involved – it shows.

'Nina Sanadze', installation view at The Ian Potter Centre: NGV Australia'. Photo: ArtsHub. In a gallery space with grey walls and tiled floors there are several large installations, including anti-terror barriers that appear like concrete spheres and rectangular blocks, scatters of monuments and sculptures.
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Exhibition review: Nina Sanadze, The Ian Potter Centre: NGV Australia

A succinct but multilayered survey of an artist who challenges history and perception.

LISA GORMAN + MIRKA MORA, installation view at Warrnambool Art Gallery. Photo: Supplied. An exhibition space partitioned with orange, dark turquoise and pink sheer curtains. In front of the curtains hang embroideries by Mirka Mora and clothing by Gorman x Mirka.
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Exhibition review: LISA GORMAN + MIRKA MORA: To breathe with the rhythm of the heart, Warrnambool Art Gallery

A lyrical and symbiotic pairing of fashion design, sculptural installations, painting, embroideries and more by two Australian icons.

‘John Meade: It’s Personal!’ installation view at McClelland Gallery. Photo: ArtsHub.
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Exhibition review: John Meade: It’s Personal!, McClelland Gallery

Humble in scale, but deliciously rich, John Meade’s solo exhibition plays on form and entices intimate viewing.

Donna Marcus mesmerises audiences with the mass and variety of vintage cookware she collected, sorted and assembled. 'Radiate' installation view at HOTA. Photo: ArtsHub. Red, blue and silver wall sculptures made of aluminium parts and arranged in different patterns arranged on a white wall.
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Exhibition review: Donna Marcus, Radiate, HOTA

An exhibition that reflects the integral role women have played in feeding the growth of Australia as a nation since…

‘Nadine Christensen: Around’, installation view at Buxton Contemporary. Photo: ArtsHub.
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Exhibition review: Nadine Christensen, Buxton Contemporary

This major survey exhibition prompts viewers to be active and rewards them with a joyous experience positioned within a deeply…

'ARA DOLATIAN: Heavenly Bodies' installation view at James Makin Gallery. Photo: Ivana Smiljanic. Three small sculptures on plinths inside a white gallery space. Each sculpture is gold and blue with towering shapes.
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Exhibition review: Heavenly Bodies, James Makin Gallery

The ceramicist turns our attention to the vibrancy of ancient artefacts and repositions them in our contemporary context.

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