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Two panels. On left is author Zoe Kean. She is wearing a brown hat and black top. She has brown hair and is smiling. On the right is the cover of her book, 'Why Are We Like this?' the font is dark pink, the background light green. There are fish swimming across it.
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Book review: Why Are We Like This?, Zoe Kean

This wonderful book offers a super abundance of insights into why we are the way we are.

Two panels. On the left is a photo of John Safran, a man with fair hair and a beard. He's holding up glasses to his face. On the right is the cover of this book, 'Squat' that features him peering over a wall.
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Book review: Squat, John Safran 

Australian satirist’s latest prank works better in theory than in practice.

Jeanine Leanie in large brimmed straw hat. Ellen van Neerven with short dark hair in black and white photo. The cover of their co-edited book, "Shapeshifting' is purple in tone with three butterflies on it.
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Book review: Shapeshifting: First Nations Lyric Nonfiction, Edited by Jeanine Leane and Ellen van Neerven

A powerful collection of lyric essays reshaping storytelling to reflect First Nations culture and history.

A collage featuring authors Lucy Blakiston and Bel Hawkins that includes their book, 'Make it Make Sense' as sell as scraps of notebooks, a bowl of pasta and some flowers..
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Book review: Make It Make Sense, Lucy Blakiston and Bel Hawkins

Not so much a self-help or how-to book but a hand hold to remind you that you are not alone.

Two panels. On the left is Yves Rees, with short blonde hair and a dark top. On the right is the cover of their book, 'Travelling to Tomorrow' with an illustration of a woman in shades of orange and blue.
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Book review: Travelling to Tomorrow, Yves Rees

The stories of pioneering Australian women who sought adventures across the Pacific a century ago.

Two panels. On the left is a black and white photo of author Sebastian Smee. He is a wearing a white shirt and fair hair. Balding. On the right is the cover of his book, "Paris in Ruins.' A French flag is waving in a watercolour painting.
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Book review: Paris in Ruins, Sebastian Smee

Sebastian Smee argues that Impressionism was a reaction to Paris under siege in 1870.

‘How Art Works’ by Chloe Watfern. Watfern is shown in a photo on the left, a woman with pale skin and tied back brown hair, wearing large circular earrings and a blue and white circular scoop neck top. On the right is a cover of the book with a. Series of black and white prints with faces drawn on, and the title ‘HOW ART WORKS’
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Book review: How Art Works: Stories from Supported Studios, Chloe Watfern

Spotlighting artists with intellectual disabilities and their ways of art-making, ‘How Art Works’ is an insightful must-have for every arts…

Two panels. On the left is a black and white photo of author Andrew Stafford, who has short, fair hair. On the right is the cover of his book, with Pig City in red and white font. There is a suited man with a gun and policemen in the background.
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Book review: Pig City, Andrew Stafford

A reprint to mark its 20th birthday, this book is still relevant.

Two panels. On left is author Michelle Brasier, blonde and laughing with a light blue top. On right is the cover of her book, with My Brother's ashes are in a sandwich bag in black italics and her name in capitals. There is a photo of her with her eyes closed and her mouth half opened.
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Book review: My Brother's Ashes are in a Sandwich Bag, Michelle Brasier

A memoir that covers life and death, humour and heartache.

Two panels. On the left is a smiling woman with curly grey hair with her hands resting on the back of a chair. On the right is a photo of two young girls holding onto their mother. The woman's upper body is out of frame.
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Book review: Cleaved, Jane Cafarella

A memoir about familial separation and living with disability.

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