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A scene from the Australian production of 'Beetlejuice The Musical'. A cartoonish haunted house primarily lit in purple and green; Eddie Perfect as 'bio-exorcist' Beetlejuice, stand with hands raised centre stage. He has green hair and a green and purple-striped suit. Other charactors, including a startled looking couple and members of the ensemble dressed as male and female cheerleaders stand onstage with them and behind them.
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Musical review: Beetlejuice the Musical, Regent Theatre

Beetlejuice Beetlejuice Beetlejuice is now playing in Melbourne.

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Dance review: Body Corp, Northcote Town Hall Arts Centre

The body and technology intertwine in this masterful dance work created and co-performed by Sarah Aiken.

A man is sitting in a boat with his back to us. A woman is sitting on a chair with her face down.
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Dance review: Blue, Playhouse Theatre, QPAC

The Australasian Dance Collective celebrates its 40th anniversary with 'Blue', a powerful and beautifully realised trilogy. 

A large cast on stage in period costume.
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Musical review: Les Misérables, The Arena Spectacular, ICC Sydney Theatre

Big stars and even bigger production values distinguish this arena production of 'Les Misérables'. 

A couple in white embrace beside a bed with heavy drapes.
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Ballet review: Manon, Joan Sutherland Theatre, Sydney Opera House

A technically and emotionally challenging ballet that, despite its traditional staging, still asks relevant questions today.

The cast of "Annie" standing against a bright, blazing backdrop.
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Musical review: Annie, Capitol Theatre

A well-orchestrated cohesive production.

Full cast of 'The Producers.' A crowd is assembled around two men.
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Musical review: The Producers, Hayes Theatre

Dated in parts, but otherwise this decades-old production is still funny and entertaining.

In yellow light, a silhouette of two dancers crouching, with their arms over their heads.
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Dance reviews: That's Two Thank You, Riverside Theatres

The art of the duet is showcased in this dance festival.

Two performers in black dancing.
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Dance review: Somos, Arts Centre Melbourne

Rafael Bonachela’s passionate and 'most Spanish' work triumphs in a perfect, intimate setting.

The Australian Ballet's 'Carmen', 2025, choreographed by Johan Inger, featuring Jill Ogai in the role of Carmen. A dark-haired woman in a red, ruffled dress, her legs bare, gestures dramatically and powerfully towards the camer. Three man are faintly visible in the gloom behind her. All four people are ballet dancers performing in the ballet 'Carmen'.
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Ballet review: Carmen, Regent Theatre

A fresh interpretation of a centuries old story that sizzles and provokes on stage.

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