Search News

See all news

Search Results

Two men and two women stand beside small work tables.
StarsStarsStarsStarsStars

Theatre review: Never Have I Ever, Heath Ledger Theatre

A play about privilege, power and posing as progressive.

Two women crouched down, wearing period costume. Their heads are touching.
StarsStarsStarsStarsStars

Theatre review: The Half-Life of Marie Curie, Ensemble Theatre

A play that explores the friendship of two women of science.

A woman with dark hair with her arms outstretched. She's wearing an elaborate burnt orange costume.
StarsStarsStarsStarsStars

Performance review: Psychopomp, Taylor Square Substation, Pride Fest

An existential foxtrot with life and death.

Two older woman sitting at a table.
StarsStarsStarsStarsStars

Theatre review: The Spare Room, Belvoir St Theatre

Based on the Helen Garner book, this play is a study of terminal illness from the point of view of…

Four school girls dressed in uniform with white blouses and light green skirts.
StarsStarsStarsStarsStars

Theatre review: The Assignment, Clubhouse Theatre, Townsville

A coming-of-age comedy drama set in the 80s.

StarsStarsStarsStarsStars

Performance review: The Act, RISING, Chunky Move Studios

A movement/theatre hybrid delving into the parallels and disconnections between dance and sex work.

A man in a white T shirt and jeans and a woman in a lilac jacket stand on stage with drinks
StarsStarsStarsStarsStars

Theatre review: Heartbreak Hotel, RISING, The Showroom Arts Centre Melbourne

'You'll be so lonely, baby...' New Zealand's EBKM brings a show about heartbreak to this year's RISING.

a young man with Down syndrome wears a yellow t shirt and a crown and sits on a blue chair in front of a screen showing many other actors who have played Hamlet.
StarsStarsStarsStarsStars

Theatre review: Hamlet, RISING, Union Theatre, University of Melbourne

It's 'Hamlet', but not 'that' one. No, this version has dancing, rap and a beautifully conceived and executed message behind…

Joe Paradise Lui, a Chinese-Australian man with long red-streaked back hair and wearing glasses, stands with his hands raised in front of a representation of Guanyin, the Chinese bodhisattva or goddess of Mercy and Compassion, who is played by the Chinese-Australian actor and theatre-maker Merlynn Tong. She has short black hair and sits with her hands raised, in a blue prop representing Guanyin and her many arms and hands.
StarsStarsStarsStarsStars

Theatre review: Legends (of the Golden Arches), RISING, The Lawler, Southbank Theatre

A wry, witty and self-aware theatrical journey through Chinese Hell, presented by the MTC for RISING.

StarsStarsStarsStarsStars

Performance review: Dusty The Musical: In Concert, Concert Hall, QPAC

Despite an energised semi-staged production, Dusty The Musical - In Concert fails to ignite.

1 2 3 104