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Sweet Charity review: capturing hearts at QPAC
The all-Australian cast shines in this production of the Tony Award-winning musical Sweet Charity.
Diva review: mighty goddesses unite in this glittering exhibition
The first exhibition at Melbourne's new Australian Museum of Performing Arts is a star-studded look at the diva through the…
Soul of Possum review: a First Nations perspective on first contact
With Soul of Possum, playwright Brodie Murray balances a coming of age story against a moment of first contact –…
Born on a Thursday review: violence, force and fervour
Jack Kearney’s simmering Born on a Thursday draws us into a typical Western Sydney home in 1998.
Christmas Actually review: come on and let it show
Christmas Actually is a rollicking good time sure to have audience members dancing in the aisles.
Orpheus & Eurydice review: a magisterial marvel
Opera Australia’s collaboration with Circa breathes dazzling new life into Gluck’s mythology-mining Orpheus & Eurydice.
Iksha II review: myth made human at Seymour Centre
With brilliant dancers and bold ideas, Iksha II attempted to reframe the legendary figure of Ravana from The Ramayana.
Goodbye Aunty Flo review: sisterly sass and menopause
Goodbye Aunty Flo is a heartwarming and laugh-out-loud funny play about learning to accept change.
A Few Good Men review: a Hollywood classic turned Brisbane theatre blockbuster
Fans of Aaron Sorkin's film A Few Good Men film will spot the nods, and newcomers will find plenty to…
Cowbois review: no guns, no politics ... no purpose?
A blissful first act followed by a long downhill mosey, Cowbois fails to live up to its own publicity.
