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Reuben Kaye. Man with huge open mouthed lipsticked smile and extravagant eyelashes is under a striated spotlight.
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Comedy review: Reuben Kaye, Apocalipstik, The Malthouse, MICF 2024

A force of deliciously bent nature, Kaye delivers again.

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Comedy review: Mel & Sam: The Platonic Human Centipede, The Toff in Town, MICF 2024

Queer besties' new musical comedy is smart and ridiculous.

A white woman with short blonde hair poses dramatically before a gold lame screen. Her hands are behind her head, her face is turned to the right, and she is singing or screaming with joy. She wears a white shirt under a black suit, and her midriff and a hint of her black bra are visible.
Features

Community, celebration and stars: Adelaide Cabaret Festival 2024

Artistic Director Virgina Gay describes the tone of her inaugural Adelaide Cabaret Festival and enthuses about some of the program…

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Melbourne International Comedy Festival and ArtsHub join forces

The MICF kicks off and this year ArtsHub is up for a laugh too...

A scaffolding like set has several bodies positioned within it silhouetted against a lit backdrop. The Threepenny Opera.
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Opera review: The Threepenny Opera, Her Majesty's Theatre, Adelaide Festival

Searing satire and a rage against capitalism wrapped up in a love story.

Peter Cat Recording Co. Photo: Supplied. A five-person band from New Delhi. A group photo where the members are sitting, standing or hanging upside down.
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Performance reviews: Smashed: The Nightcap, The Chosen Haram and Peter Cat Recording Co., Sydney Festival

A smorgasbord of cabaret, theatre and live music at the Sydney Festival.

Dangerous Goods. Three black clad performers wear T shirts that say 'show up' and sing into microphones while spotlights shine down on them.
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Performance review: Dangerous Goods, QPAC

A high-octane cabaret that includes circus, aerials, drag and burlesque.

'A Night with Pastor Ace' by Ace R L. Image: Supplied. A non-binary person standing with their hands held in prayer, wearing a rainbow blazer and a dildo with googly eyes on their shoulder.
Features

Conversion practice survivor spins story to comedic gold

Ace R L's 'sacrilegious musical comedy' brings their experience of church-led conversion practices out of the dark with humour, authenticity…

A Very Naughty Christmas. Group of young people in Christmas clothes preening for the camera.
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Cabaret review: A Very Naughty Christmas, Alex Theatre

A Christmas-themed show that felt divorced from anything remotely boundary-pushing, gender-bending or creative.

A male aerialist has suspended under a white spotlight.
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Performance review: Gatsby at the Green Light, The Studio, Sydney Opera House

Craig Ilott and Stuart Couzens have adapted 'The Great Gatsby' into an exhilarating performance set in a 1920s bar.  

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