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A large cast dressed as cats dancing on stage.
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Musical review: Cats, Theatre Royal Sydney

Anniversary production of an imaginary feline world.

A woman in a bonnet with a light blue sun umbrella.
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Musical review: Promise and Promiscuity, Chapel off Chapel

An energetic musical romp through assorted well-known Austen tropes.

A man on stage with his arm in the air. He is wearing a green print shirt. There are drummers behind him.
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Music review: From Harbour to Harbour 2, National Theatre

A joyous celebration of southern Iranian traditional music with Australian Indigenous collaborations.

A large outdoor installation showing the words in white neon capitals ‘I’VE CREATED A NEW NATIONAL ANTHEM | TAKE A KNEE AND SCREAM UNTIL YOU CAN’T BREATHE”.
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Festival review: Dark Mofo 2025 Week One

Dark Mofo returns to the embrace of an enthusiastic crowd after a one-year hiatus. Here are the top 2025 highlights.

Two young boys and a young girl. The girl is pointing a wand.
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Music review: Harry Potter and the Philosopher's Stone in Concert, Hamer Hall

The first of the Harry Potter series returns with live orchestral accompaniment.

A concert scene with the band covered in green and purple light.
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Music review: Japanese Breakfast, RISING, Port Melbourne Industrial Centre for the Arts

Michelle Zauner was pure magic. This felt like Japanese Breakfast at its fullest, most actualised form.

Dancers in black costume. The stage and lighting are also black.
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Performance review: Illume, Sydney Opera House

Bangarra Dance Theatre's evocative experiment connecting sound, dance and light.

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Music review: Beth Gibbons, RISING, Hamer Hall

The celestial vocal stylings of Portishead's lead singer shone in a concert drawn from her first solo album.

A band on stage with a video screen behind them. There are two men standing on either side of the frame.
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Performance review: Vandemonian Lags, Melbourne Recital Centre

A reprisal of a musical production by Mick Thomas and friends about Tasmanian convicts and their stories.

Ensemble in various period costumes from 1927 dancing on stage in Cloc Musical Theatre's 'Nice Work If You Can Get It'.
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Musical review: Nice Work If You Can Get It, The National Theatre

Socialites and bootleggers jive to the songs of George and Ira Gershwin.

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