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If all the world’s a stage, why can’t the stage be a Shakespearean table top?
Forced Entertainment’s Tim Etchells describes the inspiration for and the development of the company’s ‘Complete Works: Table Top Shakespeare’.
How Bluey made the move from animation to stage
ArtsHub speaks with 'Bluey's Big Play' puppetry director Jacob Williams and performer Jess Golle on translating from screen to stage…
Overcoming threshold anxiety
Geelong Arts Centre’s redevelopment opens the venue up to the public eye, in a way that’s deliberately designed to ensure…
Commitment to community at the Brisbane Festival
Celebrating home-grown talent, the Festival also includes significant international collaborations.
Carclew celebrates 50 years of youth arts in South Australia
In its 50th year of operation, Carclew reflects on the past while warmly embracing the future.
Placing community at a festival’s heart while reaching for the stars
Brisbane Festival’s Louise Bezzina wants to redefine what a festival can and should be.
How to make the most of a Fringe festival
Three Fringe festival veterans on why they love Fringe and their advice for newcomers.
Can NFTs ‘do good’ for theatre?
Turns out one NFT community has a $10M funding pool, and here is how Spare Parts Puppet Theatre is making…
What should a new Australian anthem sound like?
And what has table tennis got to do with it? Hip hop artist DENNI teamed up with puppet company Terrapin…
How to make your tour greener
A new toolkit will help performing arts companies reduce the environmental impact of their tours.
