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Jumaadi, ‘Malaikat [Angel I]’, 2019-. Acrylic on buffalo hide. Collection of the artist. Image: Supplied. A detailed work depicting two figures flying with white wings and meeting each other in the centre. They both have two eyes on the side of their heads. In the background is an irregular oval with a circle of trees inside and a white bird on the bottom right corner.
Features

Forming amicable relations between adversarial nations through art

Australian and Indonesian artists traverse a political divide to find common ground and bring distinct ways of addressing shared concerns.

a montage of sepia toned 18th and 19th century illustrated portraits of 18th and 19th century Australian convicts and First Nations people.
Features

Major new museum show unshackles convict stories from myth

The exhibition spotlights freedom fighters among Australia’s early convicts to reframe well-worn narratives around their fates as dispossessed victims. Instead,…

Women's bodies in art: a photograph of a naked woman with her back to the camera surrounding by many paper cut out illustrations of eyes and carboard assemblages.
Features

Artists showing women’s bodies as (still) a battleground

In the week of International Women's Day, ArtsHub speaks to two artists whose recent work explores the politics of women’s…

Brightly coloured contemporary ceramic vessels. Ebony Russell.
News

Craft and design curators on artists to watch

From fashion to ceramics to drones – these artists have caught the eyes of curators this year.

Still from recording of feature writing workshop at The Channel - Arts Centre Melbourne. Two women are sitting on stage against a black backdrop. On the left is Celina, an Asian Australian woman in her mid-20s with a black bob, denim jacket and black dress. On the right is Madeleine, a middle aged Caucasian woman wearing a blue and white floral shirt and white pants.
Videos

ArtsHub writing workshop 2: Feature Writing

In this session, ArtsHub's Madeleine Swain and Celina Lei run through feature writing from pitch to publish.

man with blue shirt in painting studio. Jan Senbergs.
Features

Vale Jan Senbergs

A unique visual language and an ever curious mind, Jan Senbergs is farewelled by the visual arts sector.

Features

Why we need to advocate for visual arts careers at high school

Students and parents need help to overcome limited understanding of careers in the visual arts, says passionate teacher and visual…

Olsen Gallery Booth A4 at Melbourne Art Fair 2024 with works by Jacqui Stockdale. Photo: Supplied. A gallery booth with one walls revealing paintings inside and a sculpture of a puppet-like woman with four arms.
News

Best of Melbourne Art Fair 2024

What to see at this year's Melbourne Art Fair, which features contributions from over 60 galleries.

Future of Arts, Culture & Technology Symposium 2024 at ACMI, ‘Presenting the new canon in 2050’ panel. Photo: Gianna Rizzo. People sitting in a dark cinema with four people sitting on stage below a large screen showing a digital work (still). The work features a human figure moving their upper body with arms outstretched.
Features

Predictions for the arts canon in 2050

The future ultimately hinges on what gets preserved now, where tech hardware, copyright and data protection run alongside ethical considerations.

arts signage: street view of PICA (Perth Contemporary Arts Space) showing a large green sign saying "Art Lives Here".
Features

Why hide your light under a bushel? Lessons in signage for arts spaces

The power of art often lies in its subtleties, but when it comes to promoting your arts space, the opposite…

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