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Time to revitalise Australia's Indigenous languages
In 2019 we have a unique opportunity to preserve and protect Indigenous languages.
Applause: Latest funding and awards announced
Bald Archy prizewinners, Queensland Music Awards, the Windham-Campbell prize and more awards announced.
Review: Russian Transport, Eternity Theatre
Initially lulling its audiences into complacency, Erika Sheffer’s Russian Transport is a disturbing production that's well worth sticking with.
Stand Up! grants honour memory & promise of comedian Eurydice Dixon
The new grants program aims to support local women in comedy by covering the practical costs of mounting their shows…
Minister Don Harwin outlines his arts election promises
Minister Harwin outlines his party's wins for the arts during their time in government, and presents his plan for the…
Review: Grounded, Riverside Theatres
This production is spectacularly relevant, brilliantly performed and scary as hell.
Co-founder of the High Line to join keynote lineup this April
Robert Hammond, Co-founder of the High Line, shares his experience creating one of New York's iconic public spaces.
When does a Director become an Artistic Director?
NIDA alumnus Luke Rogers invited ArtsHub backstage to talk about his journey from Director to Artistic Director.
How to figure out your next step (when you feel stuck)
Creatives share the processes they use to face uncertainty, deal with feeling stuck, level-up in their arts careers, upskill, and…
On the move: the latest appointments and resignations
Fringe World attracts new international director, new CEO/AD for Bleach* Festival, new appointments at Circus Oz, Yirra Yaakin's new AD,…
