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Ballast review: emerging artist Isabella Kennedy considers submerged histories
Isabella Kennedy's solo exhibition Ballast is a delicate body of work around the sinking of HMAS Sydney II.
Rebel Heart review: SLV's new exhibition is a love letter to love letters (and librarians)
From queer bushrangers to fanmail and mixtapes, Rebel Heart asks what we lose when intimacy goes digital.
All the World’s Memories review: an exhibition that's impossible to forget
All the World’s Memories is a fantastic exhibition at UNSW Galleries that celebrates the value of our collective and personal…
LOVING review: a photographic window into the queer past
Drawn from the collection of an American couple, LOVING is a touching Qtopia exhibition of historic queer photography that pushes…
Glimmer review: artist Lynda Draper's unrelenting and unique journey in ceramics
Glimmer is an outstanding survey exhibition by ceramic artist Lynda Draper that celebrates individuality and innovation.
SEARCHERS review: graffiti, spray paint and bringing the outsider in
The National Art School exhibition SEARCHERS brings audiences into a world that has thrived in the shadows.
Observer, Observed review: public art about public surveillance for Sydney Festival
Julia Phillips’ art installation on Pyrmont Bridge encourages us to reflect on our willingness to participate in the surveillance state.
Objet d’Art – Theo Koning review: a dynamic tribute to the late WA artist
Across a five decade career, artist Theo Koning explored his unique perspectives on the human experience.
A Legacy of Light review: turning the lens on women photographers from 1900 to 1975
A Legacy of Light is an exhaustive – but exquisite – look at the women photographers who shaped the medium…
Pippin Drysdale's Infinite Terrain review: charting 40 years in ceramics
Infinite Terrain celebrates the work of Pippin Drysdale in radiant style.
