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Showing all Film news in Reviews
It might not be groundbreaking, but this doco has the right kind of swagger and charm to pay tribute to the woman at its core.
Adam Driver leads a star-studded cast in this tense deep dive into the CIA's history of torture tactics.
Emu Runner is a quiet film of a child dealing with grief and her bond with the emu, nguri told with the Ngemba girl from Brewarrina in NSW.
Mirrah Foulkes' delightfully dark feature film debut gives a feminist twist twist to the squabbling sideshow couple.
Australian feminist horror anthology: from giggles to shivers in a scream of dark joy.
Lupita Nyong'o shines in a film that has Anthony Morris asking: maybe the real zombies were the tropes we revived along the way?
Phoebe Waller-Bridge’s one-woman show leaves you wanting more – so luckily there’s two seasons of the TV series too.
Happy Sad Man's tiny team have accomplished something major in this understated documentary.
With Joel Edgerton, Ben Mendelsohn and Timothy Chalamet, David Michôd's loose version of Shakespeare's Henriad should be more epic or more fun.
After the Wedding has a small release but deserves to find an audience which enjoys fine actors subtly hacking each other up with backdrops to die for.
This Italo-Australian romantic drama is sincerely charming, but does that make up for its lack of sophistication?
Soaking in high production values, pop culture winks and easy nihilism, Joker is all tricks and no fun.
The Wake in Fright-lite struggles to balance the demands of a genre film with character-driven drama.
Janine Hosking's documentary investigates a complex musician and the arts establishment that failed him.
Sarah Ward navigates the way that Ride Like a Girl's mythic but true story plays out in the modern disquiet about the politics of horse racing.
A gripping thriller as well as a grim look at the modern slave trade.
Nick Robinson's latest environmental documentary puts the iMax screen to stunning use as it celebrates the Australian landscape.
A rich, detailed world of female friendship and a waning party vibe are key pleasures in Sophie Hyde's latest feature.
International stars Noomi Rapace and Yvonne Strahovski are the greatest assets in this Australian intimacy thriller, writes Adrian Martin.
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