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Showing all news in Reviews
After such long confinement His Majesty's grand old theatre opens its doors once again.
Cadaver Dog demands to be read again and again.
The original Maestro 10 Concert by the Queensland Symphony Orchestra (QSO) in 2020 had been scheduled for this weekend.
Aurélien Scannella celebrates eight years as Artistic Director of the West Australian Ballet company.
RMIT’s Capitol Theatre presented another online shared-while-apart cinematic experience with a screening of Spaceship Earth.
This is an incredible, intimate exhibition that is less about war and conflict, and more about empathy and the human spirit. Beautiful photographs and oral histories that surprise in their capacity to share.
Do you sweat over the plural of platypus? This book is for you.
Shown where the NGA's International Collection sat traditionally, Australian women artists have usurped the power position with Know My Name - a gesture not lost on many.
Monica Zanetti’s queer coming out comedy has echoes of Australian high-concept teen classics. It's a refreshing crowd-pleaser, says Glenn Dunks.
Tracing the evolution of a middle-aged housewife into a feminist porn star, this documentary marks the welcome crumbling of divisions between 'amateur' and professional filmmaking, says Adrian Martin.
This novels sheds light on a young unsheltered life.
Curator Wayne Tunnicliffe finds the trigger points that connect audiences across time in this exhibition, from world conflict, pandemics to climate change – Streeton offers a contemporary lens.
Fiona Foley’s Biting the Clouds is exceptional.
Honed on live performance and online, the wacky Australian comedy team finally gets a proper TV show on the biggest platform around. They just keep getting funnier, says Anthony Morris.
This year's edition of the NSW Visual Arts Emerging Fellowship is a tight and punchy exhibition, with a strong focus on materiality, experimentation and conversations that count.
State Highway One is a novel about one man – a young and talented man who drives from the far north of New Zealand to its southern tip, but with mixed motives.
An anthology featuring the best pieces from Liminal magazine’s inaugural fiction prize 2020.
The Dobell Australian Drawing Biennial continues to be a pint sized power pack that ushers us through new thinking and new narratives for this medium. It's not to be missed.
Never Too Late is packed with a popular local cast. The box office will be a litmus test for a familiar kind of comedy in a very traditional trope.
No Friend But The Mountains is a classic for our times, a cri de coeur that shows us the human face of the Australian government’s refugee detention system.
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