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Showing all Festivals news in Opinions & Analysis
Agility, adaptability and upskilling are all part of the process, but gifs are important too. Lessons learned from Melbourne Fringe's first foray into presenting a festival digitally.
Opinions & Analysis
Solvency records show that the inaugural Biennale of Australian Art (BOAA) still owes around $350,000 to artists and vendors, while its Director moves on to open a new gallery.
In the coronavirus crisis there have been calls from all sides to 'save the arts', but we should also ask what sort of arts industry we want to save.
Despite all Arts Ministers meeting yesterday, Queensland has been the only state to step up with a stimulus package in the awake of Coronavirus' decimation of the sector.
While attending Adelaide Festival, Jared Thomas saw something that made him question years of racism and set him on the path to becoming a writer.
Responding to a recent review, Cementa19 make the point, that like all good art, a festival should make you uncomfortable, awkward, challenged, and aware of the social reality in which you play.
The fourth edition of the biennial regional festival Cementa has just wrapped up, but for a post-industrial town the event misses its context and struggles to include residents.
Sculpture by the Sea versus Woollahra Small Sculpture Prize: we weigh up the options for artists.
This year a performance was removed from Melbourne Fringe Festival amid cries of cultural appropriation and 'yellowface'. Natasha Jynel offers another perspective.
Young delegates faced the pressing issues of our time at this year's National Youth Arts Summit.
From cutting edge performance to timeless Aboriginal art, here are ArtsHub’s picks from the Darwin Festival program.
Relationship building was an important part of the agenda for Alex Raupach when he attended the Communicating the Arts Conference.
Minister Harwin outlines his party's wins for the arts during their time in government, and presents his plan for the future if re-elected as NSW Arts Minister.
Approached as a considered, curated component rather than as hastily-considered add-ons, Perth Festival offers a fresh model for the visual arts' contribution to the festival market.
Recent events may have left some artists questioning the validity of the Fringe model. Simon Abrahams, Creative Director/CEO of Melbourne Fringe, explains why Fringe Festivals are still an important catalyst for creativity and cultural democracy.
We explore the challenges facing Tasmania’s creative industries in the lead-up to the state election on Saturday 3 March.
A recent ArtsHub feature called Fringe Festivals 'the arts world's version of a pyramid marketing scheme'. Here, a Fringe Festival Director responds to that criticism.
Festival audiences become part of a collective experience giving individuals a sense of community all humans need.
Australia has public holidays for agricultural shows, football finals and a horse race. Why don't the arts have a public day of celebration?
As "festivalisation" takes over our cities, one thing is increasingly left off the programing list – and that is the visual arts.
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