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An artist has pulled her show out of the Melbourne Fringe Festival after deeply offending members of the Asian Australian community with concerns it borders on yellowface.
Revisiting Beethoven's masterpieces, new work from Mike Parr; networking for women and finding the value public art.
The third and last stop in Going Down Swinging’s international project has resulted in an intricate, optimistic, and multilayered exhibition and anthology.
From 2019/2020, the goal is to have women make up 50% of directors, writers and producers on projects that receive Screen Australia funding.
Kim Carpenter, the founder of beloved visual theatre company Theatre of Image, is closing his company after 30 years.
Industry fears for future of Australian writing, as national infrastructure is cut back again.
A model for artists’ studios in Western Sydney shifts the paradigm from mere workspace to career catalyst – at a time when artists most need it.
The inaugural production from Antipodes presents Dave Malloy’s exquisite and eclectic song cycle about life, death, ghosts and whiskey.
Jane Harrison’s play follows one Yorta Yorta family’s struggles against assimilation during the Menzies era.
An ambitious and logistically intricate work from the Hobart-based youth dance company.
Finalists announced for 2019 Lester Prize, Ned Kelly Awards shortlist, Inaugural First Nations Fellowship, plus latest news in prizes and awards.
A triptych of works by Kafka with dynamic physicality.
It's a good week to rewrite history, with 'Once Upon a Time in Hollywood' and 'Mission Mangal' scoring big crowds.
Opinions & Analysis
Executive Director Shaun Comerford says the company’s extraordinary growth is underpinned by one important adage: the art comes first.
Denmark’s Magnus Restofte says that you are not only asking people to part with their money – but their time today – and that is a tough sell for any sized organisation. He is coming to Sydney in November.
Croser will take on a 3-year contract as Chief Executive at SA Film Corp, at an exciting time for the state's screen industries.
One Fell Swoop’s circus production serves up exhilarating acrobatics and delicious contrasts.
While Australian film and television may be dominated by people of Anglo backgrounds, Jackie Bailey argues that we could be telling diaspora stories and finding bigger audiences.
The Danger Ensemble’s provocative reinterpretation of The Scarlet Letter is a forceful critique of patriarchy.
A moving piece of Australian theatre that examines the brutality of forced labour.
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