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Two of Japan’s most prominent videogame companies had drastically different fiscal years, with Square Enix breaking records and Sega Sammy struggling.
Housemarque's foray into the roguelike genre feels like the natural progression of their high score-chasing arcade roots, writes Chris Button
This adorable redux offers plentiful opportunities for cuteness, but not imagination, writes Jini Maxwell.
Our weekly wrap of news, reviews, interviews and opinions, from budget analysis to a chat with Assassin's Creed director and podcast recommendations for Strong Songs.
Experienced television professional Natalie Edgar will cross over from the ABC to SBS as Channel Manager, SBS and SBS VICELAND.
Five women who are directing or music directing Australian musical theatre productions share their experiences of COVID, its impact on their sector, and how they think the industry might change in the pandemic’s wake.
Sampa the Great to headline Vivid Live, Yarra Valley Writers Festival program, Bell Shakespeare on tour, plus more arts and funding news.
Embracing Aboriginal wisdom, culture and history, so we can call all work towards a shared future as custodians of this place we call home – Australia.
Eyeballs are already on the first web series to be funded by both Screen Australia and Film Victoria for TikTok.
The arts got a passing reference in the Budget speeches this week but Esther Anatolitis couldn't see a vision for the future.
Opinions & Analysis
Director Rose Hiscock recently gave ArtsHub a preview of Melbourne’s newest gallery, a place where science and art collide with an opening exhibition that has an inclusive take on mental health.
With the announcement of gallery participation for Sydney Contemporary, we take the pulse on the art fair sector, and its optimism for recovery.
Benjamin Zeccola, CEO of Palace Cinemas, reflects on the evolution of the exhibition side of the tightly knit family enterprise.
ACMI's first major exhibition since reopening is a crowd-pleasing blend of history, art and technology, says CEO Katrina Sedgwick about 'Disney: The Magic of Animation'.
Director Simon McQuoid recounts how he found himself directing a video game adaptation he didn't want, and how the film found itself pioneering large scale production in Adelaide.
Following a year of COVID isolation, an engaging exhibition from the National Portrait Gallery showcases intimacy, love and connection.
Content director George Dunford enthuses about Strong Songs, the goofy music podcast that unpacks the method behind the hits.
The South Australian Film Corporation (SAFC) and Stan have partnered up to offer SA producers funding and funding matching in creating new original scripted series in South Australia.
Two new collection displays herald significant changes for the National Gallery of Australia while tapping into the gallery’s collecting DNA ahead of its 40th anniversary.
The New Works program at Canberra Theatre Centre is offering free access to the Courtyard Studio for either a week’s development, or a month’s rehearsal culminating in a full production.
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