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Showing all news in Reviews
The third and last stop in Going Down Swinging’s international project has resulted in an intricate, optimistic, and multilayered exhibition and anthology.
The inaugural production from Antipodes presents Dave Malloy’s exquisite and eclectic song cycle about life, death, ghosts and whiskey.
Jane Harrison’s play follows one Yorta Yorta family’s struggles against assimilation during the Menzies era.
An ambitious and logistically intricate work from the Hobart-based youth dance company.
A triptych of works by Kafka with dynamic physicality.
One Fell Swoop’s circus production serves up exhilarating acrobatics and delicious contrasts.
Heperi Mita's directorial debut celebrates his mother's unsung legacy of bringing Indigenous stories to the screen.
A big, gaudy, rambunctious musical that offers a mixed bag of treats.
The Danger Ensemble’s provocative reinterpretation of The Scarlet Letter is a forceful critique of patriarchy.
A moving piece of Australian theatre that examines the brutality of forced labour.
Murray-Smith’s new play examines some big moral questions with mixed results.
A conceptually thrilling courtroom tragedy that underdelivers on the human drama.
Three exhibitions at Koorie Heritage Trust examine the art of cartography, Blak cinema, and contemporary adornment.
Omar Musa weaves words and rhythms into a seamless story of boyhood, defiance, and faith.
A surreal, visually arresting meditation on the future of our planet.
Hill’s must-read book combines detailed research, candid testimonies and an incisive analysis of how abuse perpetrators and victims think.
Hale’s debut novel is an examination of power and changing mother-daughter relationships.
Funny, textured and nostalgic, Tarantino's ninth film gives us characters we want to hang out with, writes Anthony Morris.
Belvoir’s fresh and captivating production transposes Brecht’s play to a contemporary setting that wrestles with climate change and our place in the universe.
Serge Ou's documentary unearths another unhinged history of a sub-genre that bypassed good taste, writes Glenn Dunks.
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