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Museum of Applied Arts and Sciences (MAAS)
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Showing all news in Reviews
Documenting the rise of the legendary Polynesian record label in 90s' and 00's Aotearoa/NZ against a backdrop of racism, this is an important and entertaining film about culture and identity, says Sonja Hammer.
An enthralling addition to a new canon of films about historical injustice to our First Peoples, writes Sarah Ward.
A riveting piece of contemporary circus that celebrates the group over the heroic individual and explores notions of trust and humanity . Exhilarating!
Wendy Sharpe’s exhibition possesses an undeniable, animal vibrancy, giving breath to shared anxieties, frustrations and ennui.
Naomi Watts is compelling in a story of resilience that sticks closely to the true account and to the formula for heartwarming family-friendly fare.
Kirsten Hannah’s story-telling is compelling.
An unlikely hero, Shrek is a solitary ogre abandoned by his parents when he was seven but, underneath the gruff exterior, there beats a heart of gold.
At a time when many of our art schools nationally face perilous cuts and closures, this exhibition curated by Daniel Mudie Cunningham couldn’t be more timely.
Sharp and sweet, the new Stan series from Kelsey Munro and Claudia Karvan is a quirky teen pregnancy drama in the style of Love My Way and Heartbreak High, writes Mel Campbell.
'Even so quickly may one catch the plague?' Love is a virus in this independent production of Shakespeare’s Twelfth Night, in which roles are assigned based on the toss of a coin.
Edited by Cameron Muir, Kirsten Wehner and Jenny Newell, these excellent essays speak more of loss than of hope.
This production of Midsummer is a playful and lighthearted jaunt in Melbourne’s Royal Botanic Gardens that offers an enjoyable night for all of the family.
A family friendly vibe, Galea leads the way as our charming host of Best Trick Ever presented at the Sydney Opera House.
Comedian, actor, writer and director Sam Longley beautifully brings to life the 'revised' version of Jack and the Beanstalk.
In times like these we are privileged to be presented with a magnificent triple bill full of splendid playing.
In honour of our incredible community of reviews contributors, we give you the year that was, through their lens.
Elnaz Sheshgelani recreates an Iranian performance tradition that transports and delights.
At the heart of Hughes' work there is a calm, a still point, drawing the viewer into a quiet space on which to mediate.
A specifically digital release, Ensemble Offspring's Lone Hemispheres showcases challenging contemporary works.
This book abounds with fascinating anecdotes about the lives of Kimberley artists.
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