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Showing all news in Reviews
No shortage of portraits on the Sydney Theatre Company stage as Oscar Wilde is re-envisioned and revered by a remarkable performance, state of the art tech and inspired directorial vision.
The quote describing 'dancers as space-eaters' was not coined with site-specific works directly in mind, but it certainly rings true for the in-situ show SITU-8.
This outstanding play by Angela Murphy welcomes back live theatre performances in Cairns.
Documenting the 14-year campaign for women's jobs in Wollongong, Robynne Murphy's film honours dogged perseverance and collective activism.
As you would expect from a poet like Philip Salom, this novel lilts and dances.
After such long confinement His Majesty's grand old theatre opens its doors once again.
Cadaver Dog demands to be read again and again.
The original Maestro 10 Concert by the Queensland Symphony Orchestra (QSO) in 2020 had been scheduled for this weekend.
Aurélien Scannella celebrates eight years as Artistic Director of the West Australian Ballet company.
RMIT’s Capitol Theatre presented another online shared-while-apart cinematic experience with a screening of Spaceship Earth.
This is an incredible, intimate exhibition that is less about war and conflict, and more about empathy and the human spirit. Beautiful photographs and oral histories that surprise in their capacity to share.
Do you sweat over the plural of platypus? This book is for you.
Shown where the NGA's International Collection sat traditionally, Australian women artists have usurped the power position with Know My Name - a gesture not lost on many.
Monica Zanetti’s queer coming out comedy has echoes of Australian high-concept teen classics. It's a refreshing crowd-pleaser, says Glenn Dunks.
Tracing the evolution of a middle-aged housewife into a feminist porn star, this documentary marks the welcome crumbling of divisions between 'amateur' and professional filmmaking, says Adrian Martin.
This novels sheds light on a young unsheltered life.
Curator Wayne Tunnicliffe finds the trigger points that connect audiences across time in this exhibition, from world conflict, pandemics to climate change – Streeton offers a contemporary lens.
Fiona Foley’s Biting the Clouds is exceptional.
Honed on live performance and online, the wacky Australian comedy team finally gets a proper TV show on the biggest platform around. They just keep getting funnier, says Anthony Morris.
This year's edition of the NSW Visual Arts Emerging Fellowship is a tight and punchy exhibition, with a strong focus on materiality, experimentation and conversations that count.
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