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Showing all news in Opinions & Analysis
The stories and voices excluded from the cultural mainstream are precisely those we need to be seeing and hearing in order to grow new audiences and cultivate a well-rounded civil society.
Opinions & Analysis
Its agenda is laudable – to give more space to Australian artists at our majors – but does it fall down when a stronger lens is put to The National?
Festival audiences become part of a collective experience giving individuals a sense of community all humans need.
The number crunch on artists representing Australia at the Venice Biennale shows two prominent galleries greatly dominate selection.
There are important lessons to be learned from the 22-month campaign that culminated this week in the end of Catalyst and the return of funds to the Australia Council.
The sector is right to celebrate the demise of Catalyst and the return of money to the Australia Council. But how much money in real terms, and where will it be spent?
Screen Australia opens up another front in its campaign to change the makeup of the creative sector.
An Indigenous Festival director is using the psychology of hope to reframe cultural exchange.
An exhibition of digital art prompts an environmental scientist to question the changing meaning of artistic creation.
Are we past the gender pigeonhole? Women artists are divided as to whether the adjective is helping or hindering their careers.
Once more unto the breeches: a feminist mounts a defence of romance fiction, renovated for the 21st century.
A great festival success deserves stability. Instead Wangaratta Jazz has lost both triennial funding and visionary leadership.
The assumptions that makes amateur theatre an old joke are really a power play that creates a fall guy for culturally privileged professionals.
A recent report showed that Australia was at the bottom of the list when it came to business-university collaboration. The arts is turning that around.
Sure it's iconic. But there is a reason we complain about acoustics and argue over rennovation of the Sydney Opera House.
We need to rethink our physical spaces to create meaningful live experiences for the constantly connected generation.
As a creative outlet, blogging can motivate you but probably won't make you money - though it can lead to a book deal.
A creative arts organisation needs to be prepared to innovate in administration and structure as well as in creative product.
Not crediting artists' images online is an ongoing problem, from the top down.
The Trump administration's proposal to remove US arts funding is the battle cry for another round of culture wars, familiar to the Australian and UK arts industries.
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