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Showing all news in Reviews
A sparse production that turns the mirror on the audience.
Sarah Ward navigates the way that Ride Like a Girl's mythic but true story plays out in the modern disquiet about the politics of horse racing.
Morsi’s poetic stories of life in Palestine pull at the heartstrings.
An innovative circus spectacular that demonstrates the elasticity of the genre.
Australian writer Lucy Treloar creates a credible dystopia in her second novel, Wolfe Island.
An intriguing and philosophical dance theatre piece.
A gripping thriller as well as a grim look at the modern slave trade.
A fast-paced experience that puts you into the Hollywood movie.
An interesting interpretation of Shakespeare with extraordinary production values.
Three exhibitions explore the challenges of the world to come.
Scott Aschauer’s opera layers Italian and Japanese elements in a somewhat mystifying mix.
Pisca is a fresh take on the ugly duckling story but it doesn’t quite hit the mark, despite honey-like vocals from Cameron Taylor.
After Dark Theatre’s circus cabaret could do with another dash of hot sauce.
Despite an assured performance and impressive sound design, Branch Nebula’s production lacks surprise.
A self-aware story of love, friendship and idealism.
The versatile talent brings a mix of forms to her latest concert tour.
Melbourne Opera did the school of singing proud with an impressive production of this challenging bel canto opera.
WAISTD is a participatory eco-horror experience that produces an ambiguous and disconcerting cocktail of anger, hope, panic, recklessness, and ennui.
Solitary is a powerful insight into the fractured US prison system and a heartening story of human rights and justice.
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