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Golden Plains Shire Council
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Showing all news in Reviews
A powerful subversion of craft as a vehicle for activism and social change.
The Production Company bow out at the top of their game with the glorious Ragtime.
Grahame Cooper’s intellectual curiosity is paired with his white-hot sense of humour in this one-man show.
Rosalind Hall and Steve Law's electronic music compositions are a stellar example of the talent coming out of Melbourne Electronic Sound Studio.
This gutsy and timely exhibition rethinks textile art, but more so demonstrates how our state and regional galleries can work together to national significance.
Looking back over 30 years of Brisbane's contemporary music, this innovative exhibition has plenty of earworms along with the culture that surrounds the scene.
Jillian Murray inhabits Joan Didion with absolute conviction in this small but beautifully crafted production about the intellectual dislocation of grief.
Australian feminist horror anthology: from giggles to shivers in a scream of dark joy.
Luke Williams’s travel memoir takes us on his personal journey through sex work, drugs, and depression in Southeast Asia.
Anthony Warlow reprises one of his signature roles, 25 years later, and it’s well worth the wait.
Lupita Nyong'o shines in a film that has Anthony Morris asking: maybe the real zombies were the tropes we revived along the way?
Joyful cover band brings a life-affirming experience to drought-stricken regional NSW.
With a sensitive honesty, Dreyfus opens our eyes to the precious transition of boys to men.
A laugh-out-loud show from avant-garde Japanese theatre company Niwa Gekidan Penino.
Phoebe Waller-Bridge’s one-woman show leaves you wanting more – so luckily there’s two seasons of the TV series too.
Eleanor Gordon-Smith is a philosopher with the ability to convey complex ideas with exceptional lucidity.
Happy Sad Man's tiny team have accomplished something major in this understated documentary.
Novels of this quality are a rare and pleasurable event.
The Ilbijerri Ensemble’s inaugural production revives the ghosts of Richard Frankland’s 2002 play.
Jaha Koo’s one-man, three-rice-cooker show offers insight into the recent struggles of South Korea.
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