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Australian Dance Theatre
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Showing all news in Reviews
Handspring Puppet Company’s magical, life-size puppets return to dazzle Australian audiences – but the show veers into sentimentality.
Brisbane’s superstar circus returns home with a reminder of what human bodies can do when we keep showing up and pushing our limit
A captivating story about a little-known piece of Australian history.
Opera Australia’s dynamic revival production is likely to please both opera fans and the uninitiated.
Hobart Fringe presents an endearing and imaginative family-friendly physical comedy.
In a new direction for the artist, Jumaadi puts poetry and politics at the forefront to give agency to the object and landscape.
This contemporary take on 16th-century English history marries witty writing with 90s girl pop.
A genuinely funny production that honours the inclusive values behind the popular film.
CDP Kids offers another engaging production for children with a fun set and energetic cast.
Set in the Gothic heartland of Tasmania, this murder mystery is yet to deliver on its supernatural teaser, says Mel Campbell.
Despite casting qualms, this version is both a beautiful Christmas bonbon and a witty warning against sentimentality.
White tells his story with a disarming utter frankness.
Remember when the future was going to be a bright, shiny place full of optimism and hope? Me neither.
Bernadette Robinson’s versatile, nimble voice and Joanna Murray-Smith’s clever script bring five famous songbirds to life, as well
Sarah Thornton is at her best in her depiction of a football-mad community.
Inez Baranay presents in elegant prose a richly laden smorgasbord of concepts and ideas.
An elegant science-fiction story with a message about the mess humans have made.
Easy charm and subtle moments work better than broad comedy in this Stan Originals series.
Jacobson reminisces on Jewish culture, family, dementia, anxiety and love in a haunting and beautiful poetry collection.
The dancers of Mature Artists Dance Experience show that growing older doesn’t have to be graceful with an impertinent, cliché-busting performance.
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