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Showing all news in Reviews
Six years in the making, and funded to the tune of $1.8M, Desert River Sea doesn't disappoint and offers a fresh model for working with Aboriginal art centres.
A flagship series for Stan in the feverish battle for local market share, Bloom is a sophisticated and superbly acted supernatural mystery.
A breezy opera that spirals into romantic tragedy, Werther is one of opera's most performed productions and it returns to Sydney with international talent.
Presented as two full-length plays, which audiences can see on consecutive nights or back to back on the same day, this is an epic, occasionally frustrating sequel to JK Rowling’s remarkable act of literary imagination.
Decay, rebirth or both? Alita has a healthy audience, a certain youthful innocence and the contradictory energy of James Cameron and Robert Rodriguez.
The opening concert of Camerata's 2019 season offered an eclectic and interesting choice of repertoire.
David Hare's latest is flat and disappointing.
A disappointing commission and two flavourless readings of colourful and dynamic works opens the SSO’s 2019 Masters Series.
This Netflix feature shot on iPhone and set in the world of American basketball may baffle or intrigue.
It is a rare treat to see one of Europe’s most highly regarded ensembles performing in the intimate setting of Adelaide’s historic Elder Hall.
A live-music experience that puts you front and centre of making, listening, sharing and reminiscing about music that moves.
True to the adage that opposites attract, the vast stylistic differences of these two artists make for an uncanny yet cohesive conversation.
A troubling piece of theatre that struggles to deliver.
The Last Great Hunt unite their diverse skills and passions in a larger than life celebration of arthouse cinema, filmed and performed live in the theatre.
A haunting encounter with our collective humanity, staged among the tombs and gravestones of East Perth Cemetery.
Mozart and Mahler – a delightful sound palate of heavenly music.
Beside Myself is fiction at its highest purpose – a debut novel that comes straight from the gates like a raging bull.
The ramshackle rooms of a former home for elderly and destitute men become the site of a new dance work by STRUT in collaboration with Punchdrunk's Maxine Doyle and collaborators.
Small, quiet moment of poetry shine in this world of darkness, tragedy and many, many feathers.
Our Town is a Pulitzer Prize winning play that has stood the test of time. 'You have to live life to love life and love life to have life,' Thornton Wilder (1938).
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