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Showing all Policy news
Mia Wasikowska held an audience spellbound with a short speech at AFTRS about her understanding of story. Here is the text, which is pretty special.
AFTRS commissioned eight prominent screen creators to reveal what story means to them. it was a cunning plot to address the idea of 'Australian stories' in a genuine, personal way.
Fifteen Victorian women get professional and leadership development, find keys to growth behind the scenes.
The sector had its best reception for a long time in Parliament on Tuesday, with a long way to go.
Who is nominated? You can work out who got left out. And why is the Writers' Guild fiddling with the format? And can it entice the writer directors?
Beyond the industry's economic value, we are deep in a battle about scale which sees big as best but small is vital.
New Curator for UQ, new Chair for Experimenta, CEO to leave Australian Booksellers Association, Exec Director leaves WA arts chamber and more.
Sandy George honoured by Fiona Cameron while Screenhub calls for her role to continue.
It was probably a foregone conclusion, but the NSW government comes through with the incentives for the large scale productions.
The arts bureaucrats keep hustling for greatness. Does it work? In screen at least, the festival directors have serious reservations.
Warner Bros offers emerging Australian writers a way out of the Australian cage. To find, of course, a much bigger cage but it has many attractions.
Jill Bilcock, Chris Freeman and Alison Niselle are the true industry figures in this year's nominations, representing the crafts of editing, the law and screenwriting. Nice.
Govt to help pay for Brisbane Studio, Ones to Watch can be watched, SPA prize fight open, Business Essentials and Melb network event
There are some interesting agency opportunities at the moment as the SAFC and Film Victoria are both advertising several positions.
Screen Australia has announced that Mike Brealey, formerly of Create NSW, will now Create order in the federal agency.
The SAFC has senior jobs, the Adelaide Film Fest delays the submission date (a bit) and SFF promotes its strand about filmmakers and disability.
Blackmagic is a remarkable Australian success story, which grew from nothing to sell equipment around the world. All driven by the visceral determination and challenging ideas of CEO Grant Petty.
Michael Ward has been a key policy insider for the ABC and the AFC over two decades. Here he works out the real cuts to the ABC since 2013. Finally - the right answer.
Ratings tell us about eyeballs, but can we deep dive into the sea of conversation about shows and genres? Get some feeling for what people really want?
The budget cuts to the ABC are strangely real and strangely not. How will this play out?
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