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Showing all Policy news
It's rare to celebrate a policy or a department, but in the case of Screen Australia's Indigenous Department, everyone wants to clap for this good news story. It shows what happens when good policy meets extraordinary talent.
An icon of the industry, completion guarantor Jenny Woods has made a bid for freedom and life on her own terms. With added cats.
Replying to producers' letter, Screen Australia defends funding BBC Studios. Is this as odd as it seems?
The Screen Producers Australia Awards focus on the most mysterious category of all - the behaviour of producers. What does the feature list tell us?
Asian screen lobby group reveals the nuts and bolts of the evolving market, particularly in South East Asia.
Three key organisations in the screen and theatre sectors unite to lay out the rules for a safe workplace, and confront hostile public opinion.
Streaming services are happy disruptors, but they could warp the system in more profound ways than we think.
MIFF, French comedy Dr Knock and Wrong Kind of Black head a lineup which also covers the Palace doc fest and the arrival of the Koreans.
The commercial networks have a once in a lifetime chance to exit kids' TV. They are good at ideas under pressure.
What do we mean by Australian stories? Queensland producer and comic creative Daley Pearson provides a beaut answer from Coolum Beach.
First tool to advance the frustrated Australian feature sector is clear thinking, backed by co-operation. Here's a good start.
Screenrights loses a veteran who has presided over enormous changes over twenty years. Expect Simon Lake to surface for new roles in the future.
Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation.
Tony Ayres has walked away from Matchbox Pictures to become a global player. Here's why.
The Nine and Fairfax deal is logical and prudent for shareholders etc, but what about the real stakeholders, the citizens who need the news?
Shifting from Arts to an Industry portfolio, the SAFC is making interesting appointments.
For an artist, death is not final if the work lives on beyond personal memory. Editor Suresh Ayyar's friends search the essence of his touch in an extended collection of clips.
Screen Producers Australia tells Parliament about freelancing, creativity, the brain drain and the gig economy.
Mia Wasikowska held an audience spellbound with a short speech at AFTRS about her understanding of story. Here is the text, which is pretty special.
AFTRS commissioned eight prominent screen creators to reveal what story means to them. it was a cunning plot to address the idea of 'Australian stories' in a genuine, personal way.
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