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Showing all Audience Development news in Features
Sharing personal stories with the world can be emotionally taxing. Performance artist Jodee Mundy reveals what it takes to create work from one's own history.
Looking back over 12 years of social practice in Sydney’s West, Curator Anne Loxley speaks to ArtsHub about how C3West has shaped new modes for cultural engagement and defined communities.
Top of the Arts 2025 agenda for artist Ben Quilty was tax reform for artists. He also warned the sector to stop infighting and work on shifting perceptions.
Your organisation might make a claim for accessibility, but is it really inclusive? Here's a checklist to help you become an inclusive arts provider for NDIS.
From women’s representation to First Nations’ intellectual property – ArtsHub takes a look at significant social campaigns and what we can learn from them.
‘We don’t feel disadvantaged being in the regions. In fact, we see this as an opportunity,' says former Four Winds Chair Sheena Boughen.
REMIX asked a panel of experts to explore what has become of our creative nation, and to posit the steps required to get impending changes right.
When it comes to working with marginalised communities, good intentions mean little without sound ethics.
Revealing the centrepiece of your program months in advance has become a common tactic, but what value do such announcements serve?
Research has shown that over 60% of recent visitors attended cultural organisations as children, findings which have significant ramifications for the sector in the future.
If we want to see more culturally diverse audiences and artists, we have to develop hands on – not token – engagement with CALD communities.
As thrilling as they are for audiences, Australia’s musical theatre scene is dominated by productions honed on the West End and Broadway.
Pricing visual art can seem like plucking a number out of the air, but the reality is much more complicated.
A regional QLD city has caught the eye of New York curator–influencers, who value its cultural programing as being richer than Melbourne’s.
Arts organisations are ‘snow blind’ with demographic data that fails to explain what really makes audiences buy tickets. There is a smarter alternative.
Some of the world's most successful people read voraciously. But can mere mortals do it too?
You can't future proof your job but you can prepare yourself to thrive in the work economy of the future.
The psychological benefits of art work best when audiences slow down but galleries struggle to stop the rush.
The arts like to think of themselves as the heart of originality but perhaps we can learn from info tech, design and even banking when it comes to innovation.
Museum Victoria consulted more than 600 experts to create its new Children's Gallery and 500 of them were kids. Now the children's insights are being used in adult spaces.
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