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Showing all Digital news in Features
Like Fury Road, Happyband OK Go is determined to utilise in-camera SFX. In this case, the challenge is to do extended weightlessness routines.
The Australian Centre for the Moving Image will redefine its role, working with screen creators to enable them to make new work as the very model of a 21st century museum.
The AFTRS online skills survey needs the utter glory of your opinions. We dare you to be part of industry history.
Committed to social change, documentary filmmakers are pioneering new ways of reaching audiences - and creating a new craft called impact producing.
What happens when rap gets to Siberia, and reaches back to Youtube? Very slick, strange and homely.
New audiences, new stories - how can we find a development process to match them and a new generation of creators? Deadlock is anything but stuck.
Here is a dob of pure unabashed squeaking aargh sentiments which is not even manipulative, just because it is Xmas and we have a heatwave.
Encouraging transparency and participation, the 2016 ArtsHub Conference will provide the sector with an opportunity to get answers from industry leaders.
True stories are both inspiration and prison. Walking that fine line is a challenge for writers and a pleasure for writer-watchers.
Want to work on a series of short films about the arts for ABC Online Arts? Step right up and make your bid for Art Bites.
The issue of piracy may be terribly familiar, but this panel has chapter and verse on why it is still important.
We all have common sore points when it comes to arts marketing, but we can't overcome them if we keep doing the same tried and tested techniques. Here's how to change.
Peter Jackson casts himself, gets into a time travel joke with Dr Who, and reveals a dab hand at calm high naturalistic impro. Note the use of the single locked off image..
Rube Goldberg films are a genre unto themselves. Here's two modern versions which blitz the idea in very different ways, with added bloopers.
Steps to repair a loss of trust and respect from the arts sector were put into play at a National Roundtable, along with some terms of acceptance for moving forward.
Metro Screen is holding its final breakup party on November 11. Bring your own effigy.
Technology is giving audiences back their voice, prompting some theatre companies to embrace their digital critics.
New micro-accounting production accounting services are targeting the needs of low budget filmmakers and digital creatives.
How did an event cinema company called CinemaLive ride the death of lantern slides in cinemas into an operation in two countries and seventy territories? It is a long, tangled and inventive tale.
Digital disruption is putting audiences in the habit of getting what they want - and having a say in how it is made.
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