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Showing all Film news
Avengers scythes across the landscape like a steampunk nightmare, but small films stand tall and pull through.
Cinematographer Meg White has turned her anguish into art. She hopes that talking more openly about mental health in the workplace will bring relief for others.
Big in scale and emotion, this eagerly awaited sequel to Infinity War packs a sizeable (but safe) punch.
To watch anything in the cinema at the moment you have to push your way past Avengers: Endgame. How did it take over? What else is around?
Specialist internation film fests can be uniquely wonderful. Fest 2019 at Espinho in Portugal focuses on emerging filmmakers and has added a book fair as well.
Sebastián Lelo's remake of his 2013 film is lighter, funnier and more subtle in its depiction of a woman's mid-life search for love.
Australian auteurs relish Tropic Gothic as it confronts flesh, memory and the blurred promises of sexuality. Adrian Martin examines Celeste and the work of Ben Hackworth.
Has the country given up on imagination? Box office totals are mediocre, though Hotel Mumbai still carries itself with modest pride.
Adrian Martin takes us into the cinematic joys and fumbles of Burning, and its icy cumulative drama created by ambiguity and unnerving doubt.
A recent Parliamentary Inquiry into Canberra’s national institutions made 20 recommendations. What were they, and were they warranted?
Opinions & Analysis
Rebooting this comic book hero proves an underdone, overblown slog.
Despite the patter of tiny feet and herds of feral tots, Hotel Mumbai, Us, Green Book and Woman at War bring a bit of dignity to the choc top queue.
Eraserhead, Empire of the Senses, O Lucky Man and Female Trouble – all in one single night of cinematic extremes in Sydney.
It's definitely the season for suspending your brain in special juices that let in the emotions and shut out our critical faculties. Just right for the election season?
Christian Petzold's stripped back melodrama takes not the slightest effort to recreate its World War II setting, yet it's all the more politically potent for that fact.
An ambitious and intoxicating trip into Tinseltown from the director who gave us 'It Follows'.
Warwick Thornton's The Beach, a Valerie Taylor shark documentary and an animated soccer series are some of the highlights.
Hotel Mumbai does well in the US while latest tentpole steals audiences over here.
The premieres of Top End Wedding and Animals at the Adelaide Film Festival's Popup stretch from urban tough to Indigenous lyrical.
Australian artist becomes Sundance Institute trustee; new Artistic Director for Canberra Writers Festival, and new Chair for Monkey Baa Theatre Company.
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