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Showing all Film news
The Screen Music Awards are back and the judges have expert ears so its game on for the clash of the composers.
Soaking in high production values, pop culture winks and easy nihilism, Joker is all tricks and no fun.
The Wake in Fright-lite struggles to balance the demands of a genre film with character-driven drama.
Two new screen productions – Ramy and Slam – tell stories embracing the complexity of young Arab and Muslim men in the US and Australia.
With the school holidays behind us, it looks like cinemagoers are done with the cartoons and ready for some good old fashioned sex and violence.
David Gulpilil is one of Australia's great actors. Here is an extract from his biography written by Derek Rielly.
Opinions & Analysis
Disney+ releases almost the full list of its (US) debut content. Maybe it wll be just too musty to rule the world.
The story behind their latest drama, and the secret recipe for this thriving Indigenous production company.
Love it or hate it, the elevator pitch for your ideas is a key part of being a successful creative. Here’s how to get it right.
As approaching festivals promise a spring feast, The Eulogy, Animals, and Buoyancy still tempt audiences to Australian films with the sweet medicine of classy filmmaking.
The NFSA restores Eternity, a documentary about time, decay and the cosmos. For the filmmakers it is a message from the past.
Janine Hosking's documentary investigates a complex musician and the arts establishment that failed him.
Ride Like a Girl hangs on against increasing competition from tentpole pics. Joker is the big one.
What happens when a battered significant film festival is taken over by the significant art gallery for the same city? Not bad at all says Sarah Ward.
Gillian Armstrong and Pearl Tan speak out on taking over the power positions in film, TV and theatre, plus how women can build sustainable careers.
What better way to celebrate school holidays than some spooky new flicks, and an Aussie number one straight out of the gate?
Ride Like a Girl was quick out of the gates and clobbered its opposition.
Sarah Ward navigates the way that Ride Like a Girl's mythic but true story plays out in the modern disquiet about the politics of horse racing.
New releases seems hell bent on twisting young minds with horror but refuge may be found in Ride Like a Girl and Buoyancy. Or deep space with Brad Pitt and deep time with Rembrandt.
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