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Showing all news in Reviews
A powerful survey exhibition of Aboriginal artist Vernon Ah Kee's videos and wall texts, questions the frameworks of power and role of language in embedded racism.
Immerse yourself in the dreamlike world of Reg Mombassa.
New Balance is a tender, insightful and intelligent look at the collective experiences of what it is to be queer.
Refreshingly earnest, this warm and playful family film caught critic Mel Campbell by surprise.
Karen Hitchcock’s insights into the healthcare system are refreshingly pragmatic, both compassionate and dispassionate.
Melbourne-based memoirist Emily Clements delivers a complex examination of female autonomy and desire.
Life getting messy doesn’t begin to capture this web of intrigue.
Sean O’Beirne’s short story collection shows that Australian voices can be dangerous, refreshing, and funny.
A lifelong fan of Terrence Malick, Adrian Martin considers deeply his latest film and the stylistic tendencies of this auteur.
West Australian Symphony Orchestra’s program takes the audience on a romantic trail through various countries and eras.
A weighty, admirable yet bleak work for the end of days.
Brisbane Immersive Ensemble presents a whimsical reinterpretation of A Midsummer Night’s Dream.
Selina Jenkins’s mastectomy musical is a tender journey to the chest of one’s dreams.
Highlights of 2020 Fringe World include visual arts with machine learning and creative responses to mental health challenges.
Evans’s third novel is a magical exploration of friendship between trans teens.
Robert Klippel changed the landscape of Australian sculpture, and his work continues to shift our perspectives and celebrate bold individualism.
Promenade performance in Guerrilla Fest presents diverse experiences of homelessness in Perth.
The third instalment in Melbourne poet Π.O’s trilogy is a playful journey through Australian art history.
A deliciously camp version of the Noël Coward play, direct to Australian screens from the London stage.
There are moments of gentle humour and intimacy in this production but the story is indulgent and implausible.
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