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Showing all news in Reviews
The world’s biggest and best cabaret festival kicks off with a glittering opening gala.
Beethoven in the bush proves a concert highlight.
The Wandering Mind tour shows that the award-winning comic is a consummate laugh-maker.
Involving five schools from southern Tasmania, DRILL’s school’s program explores science through dance.
Emotionally harrowing, richly textured and politically relevant, Chernobyl champions truth-telling - as long as it makes for a good story, says Mel Campbell.
The surprisingly modern Fourth is considered by many pianists to be the most beautiful piano concerto ever written.
Guest soloist Jayson Gillham shines in Beethoven’s First Concerto.
The air ‘out there’ is brought into close proximity through this unique, all-consuming experience.
This immersive sound installation in the depths of the Tasmanian bush is deceptively simple yet strikingly profound.
A new exhibition brings to light a Monet work previously unseen in Australia that launched the movement.
Delivering some of the best superhero action sequences this year, it's still just a middling movie.
Laura Mvula’s spectacular performance transcends the score while still paying respect to Gershwin’s original intentions.
Helen Dallimore captures the complexity of Garland’s character in a stellar performance.
A little less flash would have improved this concert from the Grammy-winning jazz pianist.
A jazz legend pulls out all the tricks in a virtuoso ensemble.
THEM challenges dominant depictions of refugees but its focus on humanity can slip into melodrama.
The sculptor-turned-singer’s free-flowing compositions defy categorisation.
This is a lean, whip-smart play, about hope and community, private anguish, and terrible rage.
They’re like a choral group that does really funny political commentary and jokes about masculinity.
Halibut on the Moon is a tragic biographical fiction on divorce, the nuclear family, maleness, guns and suicidal depression.
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