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Showing all news in Features
Picture in your mind the path that 80 taxis or garbage trucks might make during a day's driving. Or a day's airplanes landing at Heathrow. Try visualising a graph of the emotions that people feel as
Highly respected producer Matt Carroll thinks that ScreenHub was too optimistic in our assessment of feature film in Australia. Here is his well informed take on the subject.
SBS keeps telling documentary filmmakers that their pitches must contain an online component. Here they are caught in the spotlight explaining what that means, how it splays out, and how it has adapte
Germaine Deagan Sweet, the Vice President of Content Syndication at National Geographic Channels International, provided an insight into the online distribution platform and business model that the Na
A new feature at this years Australian International Documentary Conference are the Editor Hours. These are small sessions with commissioning editors and just 30 people, allowing for specific questio
Genevieve Bell, an anthropologist fascinated by the relationship between culture and technology, delivered a torrent of words about broadband and its future implications. Fortunately, we have forensic
Can you do multiplatform without being a slave to the broadcaster? Yes, but it helps to cheep enticingly as you are being incubated.
The formal business of AIDC commenced in the hands of Sandy George, in her second career as Wicked Den Mother of Australian conferences. Aided and abetted in this case by Bob Connolly, who has never b
The Australian International Documentary Conference opened at the Adelaide Zoo on a muggy night full of old friends, and new faces. As seems to be the scale of the last few years, the conference has 5
The South Australian Premier and Minister for the Arts kick-started the opening night party of the Australian International Documentary Conference by shattering the 1980s investment consensus with two
About five kilometres across town from the glamourous ScreenHub headquarters sits the West Melbourne home of The Creature Technology Company, centre of the $100 million live action animatronic marvel,
Okay I know why they call Perth 'Dullsville'... it's because it kind of is. But at the same time, Perth is a veritable hot bed of activity. Okay don't get too excited - I am talking about the music scene of course.
"He asked me if I was interested in playing the part of Creon and I said sure, because he said he was going to have a live band, and so straight away I was interested because it was going to be more expansive than the usual talking heads sort of thing."
Rumours have been swirling around the supposed cancellation of Australian feature films due to lack of finance, including one that finance had collapsed on The Cup. We took the time to find out that
Screen Australia announces the new documentary group, which will inherit the work of Film Australia, The Australian Film Commission and the Film Finance Corporation.
Black Balloon.... Bastardry.. Suresh Ayyar... Mark Hartley.. Toni Collette.. Unfinished Sky.. William McInnes.. Mandy Walker.. nad Richard Brennan. Great names but an awards night which went a bit fun
AFACT, the Australian Federation Against Copyright Theft, gets the NSW Police to nab some annoying pirates, as the pointy end of a multinational system to hunt them down.
What appears to be a letter to the National Executive Committee of the Australian Writers' Guild, and some notes, reveal that a pay dispute was behind the abrupt departure of three staff: Industrial a
'Mary and Max', the claymation feature from Adam Elliott and Melanie Coombs, took some kudos from the hard bitten Berlin judges of the 14Plus section.
Jump Street Films are pleased to offer ScreenHub subscribers the change to win one of five double passes to 'Beautiful'. Two teenagers are drawn into a web of seduction, murder and deceit in this sexy
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