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Showing all news in Features
When you tell an audience that God will come, and then you will need no more breakfast, and then you list the yummy, yummy items that God will make unnecessary, how do you think your audience will fee
Circe Films has a strong track record in high end documentaries, like 'Night' and 'Lionel'. Now it has absorbed the television DNA of Anna Bateman, and is advancing into the land of branded content.
Scorched (Firelight Productions in association with Essential Media & Goalpost Pictures of Australia) has been nominated for a digital Emmy Award to be presented at MIPTV in Cannes on March 30.
It's nice to have a boss who invests in film, with Melbourne-based outfit Iloura picking up the visual effects work for Dead of Night. Iloura is part of Omnilab, and Omnilab Media's Managing Director
Ths is truly strange. Mosquitoes in flight synchronise their wingbeats, so their characteristic whining noise comes from all of the buggers at once, in a kind of aural squadron. Enter musicians, armed
Noticing we hadn't covered the David Weiss masterclass, (so much to do, so little time..) Maureen Sherlock sent a version of her own notes, which are a great take on the nitty gritty. And help to show
Greater Union's decision to pull 'The Combination' from all its cinemas last weekend will remain forever shrouded in mystery, because it probably doesn't make any sense. But Peter Castaldi, public fac
The ABC and SBS are both formally adapting their editorial policies and practices to accommodate the increasing integration of User-Generated Content (UGC) within their own programming, it was announc
A forum exploring the future of branded entertainment held by the Screen Producers Association of Australia (SPAA) on February 24 has revealed an urgent need for industrial policies to get up to speed
Palace Cinemas is getting into live digital in a big way, starting with a season of live opera and ballet. This is not one-offs, this is seasons. Antonio Zeccola talks about why they think it is a f
Some screen people are pretty happy with Celtx, which is described as 'the cost-saving, professional way for filmmakers and media creators to store, manage, and collaborate on Celtx projects online.'
Roy Billing explains the care, support and devices which supported his lovely performance in 'Underbelly'. This is a snapshot of creativity on a quality show, and how it is shared. And while producers
As hosted by the Media Resource Centre. If this kind of event doesn't sing, then the SAFC will be wasting its time.
It wasn’t so long ago that Ten Days on the Island was being hailed as the new kid on the block. It was launched in what was already a crowded national festival circuit in 2001, and has now become the only major state festival that literally does incorporate the entire state of Tasmania.
Do we engage our audiences? Do we move them? And do we move ourselves? What does music mean to us?
'From what I’ve seen even in the short time I’ve been here, the signs that we have turned a corner are more than encouraging.' Titled 'To be, or not to be? What’s the question?' Ru
To have a long career as a screenwriter in features in Australia is a very rare thing. Four were captured on stage together, and made to revisit scenes they loved, scenes they hated, scenes that made
Catch a hometown writer from Strictly Ballroom, Romeo + Juliet, and Moulin Rouge. Add the phrase, 'In Love with Shakespeare'. Watch the writers tumble into the room.
Potential Films are pleased to offer ScreenHub subscribers the chance to win one of 30 two-for-one passes to see 'Wendy and Lucy' directed by Kelly Reichardt and starring Michelle Williams.
At the National Screenwriters Conference, well known and well respected script developers were asked to assess their craft and share their secrets. Interrogator, psychoanalyst and idiot-wranger all se
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