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Showing all news in Features
Film prop maker, Hannah Crosby busts some of the myths about making artwork for the silver screen.
The Hon Paul Fletcher faced delegates at the Creative Regions National Summit yesterday in Canberra. This is how he responded to their pressing questions.
The holidays are coming around, and we're ready to kick back and relax. Let's look at what's on while you're off.
Screenhub caught up with digital environment designer Su-Yiin Lai to talk about the speculative architecture, videogames, and working between disciplines.
Reading and writing can prevent cognitive decline.
Based in the regional NSW city of Albury, the Flying Fruit Fly Circus has become a remarkable Australian success story.
Matchbox Pictures has a grand gala night in New York.
Screenhub brings you this week's box office biz, from stoned teens to snow queens.
For ten years a program has supported over a hundred Indigenous curators and artists in a collaboration between the National Gallery of Australia and Wesfarmers.
The director of Google’s Creative Labs talks to Screenhub about doubt, technology, and the joy of a good failure.
Instead of a single artistic director, the 32nd New Zealand Festival of the Arts features three high profile curators, Bret McKenzie, Laurie Anderson and Lemi Ponifasio, each programming a separate week.
The resilient theatre company is celebrating three decades of significant engagement with young people in regional and remote NSW.
Indigenous voices are finally being acknowledged as important voices in Australian galleries and museums.
This week at the Aussie box office we receive an object lesson in the disparity between commercial success and critical acclaim.
Assembling an entire subscription season in just three months was the first of several challenges actor-turned-Artistic Director Mitchell Butel faced in his new role.
A new song-cycle explores an important Australian invention, the now ubiquitous black box flight recorder.
What our office has been watching, hearing and loving, featuring an unexpected recommendation from Werner Herzog.
From upcycling to reducing packaging, artists look at how they can limit the damage their work does to the environment.
The decision to move UWA Publishing to an open access model is an experiment doomed to fail writes Emmett Stinson.
Perth’s home of independent theatre has nurtured the careers of countless artists over the last three decades. Now its management are focused on ensuring the Blue Room is future-proofed for coming generations.
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