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While so much true life large scale filmmaking wallows in exploitation, Magnus Temple makes tender series about ordinary people and their deep virtues. Here’s a glimpse of his approach.
What happens when Independent documentary filmmaking collides with investigative journalism? Experience the joy, the obsessiveness and perhaps the pain behind The Jinx.
Despite an interesting premise and solid performances, Tomorrow's Parties dystopic visions limit the emotional pull.
Bryan Elsley, who ran the Deadlock emerging writers scheme in Byron Bay, has some fascinating ideas about development, authenticity, new approaches to globalism and the strength of young Australian creators.
New audiences, new stories - how can we find a development process to match them and a new generation of creators? Deadlock is anything but stuck.
New micro-accounting production accounting services are targeting the needs of low budget filmmakers and digital creatives.
Natural history films have a special place in all our hearts, but filmmakers and broadcasters must face the grim fact that this ecology is imploding, like the natural world itself.
New research and a new lobby group in the screen sector rewrites the playbook on the approach to piracy.
Crowdfunding could become even more useful to the arts with some new legislation expected to be introduced by the end of the year.
An eerie and unsettling evening, featuring a live horse, a dead cat, and a French doctor.
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