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Showing all Screen Education news
Here are the AFI/AACTA categories which nurture young filmmakers, sustain extreme doco makers and honour the most popular films in our region.
Sooner or later creative parents emerge from the new baby haze to think about small business. Find out what happens then.
Producers are 'in charge of the resources', in Andrena Finlay's neat but bland phrase. What does that really mean?
As conferences quit for lack of funds Adelaide's Media Resource Centre fights back with the power of poverty.
After a trough we find Australian films that deserve an audience, though that message has not leaked through for The Merger.
Here's a great collection of interview clips with great directors, from Gillian Armstrong to Ridley Scott. It's a beautiful career.
Supported by Australians in Film, four mentorships offer the chance to connect closely to Hollywood and fit the experience in with a working life.
What do we mean by Australian stories? Queensland producer and comic creative Daley Pearson provides a beaut answer from Coolum Beach.
Tony Ayres has walked away from Matchbox Pictures to become a global player. Here's why.
For an artist, death is not final if the work lives on beyond personal memory. Editor Suresh Ayyar's friends search the essence of his touch in an extended collection of clips.
Fear of kitten vids, spiritual optometry and the end of the world - three SPA Ones to Watch who were a pleasure to interview.
Writer of drama and comedy and the ultimate veteran - Hugh Stuckey is dead.
Sandy George honoured by Fiona Cameron while Screenhub calls for her role to continue.
Warner Bros offers emerging Australian writers a way out of the Australian cage. To find, of course, a much bigger cage but it has many attractions.
Govt to help pay for Brisbane Studio, Ones to Watch can be watched, SPA prize fight open, Business Essentials and Melb network event
The internationally renowned fantasy novelist reveals the magic behind his writing, and why it’s good to talk to your characters.
There's a lot more to a life in the screen sector than a string of credits, as Ray Argall's Cecil Holmes Award demonstrates.
The cinematographers who covered the Australians in World War One were a fantastic bunch, with a supporting gallery of remarkable English journalists.
Screen Producers Australia looks for feedback on its draft of the Screen Industry Code on Discrimination, Harassment, Sexual Harassment.
To grow your business, think like a doctor or lawyer. What is more, their model is intergenerational. Industry thinker Dr David Court issues a challenge.
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