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Showing all Policy news
We compare the statements by the NSW Liberal Party, the ALP and the Greens to discover a remarkable lack of interest in domestic production.
Opinions & Analysis
In one historic deal, the cheerful mouse of Disney now looks like a really fat rat. But rats are great survivors, the environment is brutal and evolution has cruel rules.
Scripted Ink continues to revolutionise the way quality Australian writers and their projects find their way to the marketplace as it backs the New York launch of Pathways Showcase next week.
Participant Media is a key company in progressive indie US production, and Diane Weyermann is a core changemaker.
With Australian producers wary of a changing China market, the film market in Hong Kong is strengthening its role as gateway and annual touchpoint.
Cat meet pigeons; chickens find your roost. Huge group of indy documentary people and their colleagues proclaim the need for change.
The chair of the ABC may be a recurrent circus, but this is surely the first time a chair has been the hero of a miniseries in which she fought with one of Australia's most appalling media magnates.
Winners announced in premier Awards for future of Australian screenwriting.
Lots of Netflix news, plus China complications, In Like Flynn interview, and Oscar scripts. And the future of AI.
The ADG Awards, Production Designers Guild and Oscars, Screenworks widens composers scheme, AWG wants your AWGIE submissions.
'We are just settled after a time of digital disruption. It is not the end of the world. Where to now?’ CEO/Creative Director Alice Burgin lays out the challenge of AIDC 2019.
Diversity dominates shortlist for annual comp charged with unearthing future of screenwriting.
Screenwest is now headed by a fierce combination of veteran management, PR talent and quokka protection as John Driscoll is announced as Chair.
As the EU fights to stabilise the publishing market on the net, Vimeo has been hung out to dry as a bad citizen in the eyes of an Italian court.
As part of his Currency House Platform Paper, Sydney documentarian Tom Zubrycki reveals some hard truths about the role of the national broadcasters.
An unusual year as the awards went pop culture, but the modest industry toilers are there too. And an actual producer in Sue Maslin.
Powerhouse calls for Architect, residencies with Animal Logic and The Wheeler Centre, more money for regional arts announced, and more art news.
James Dickinson, the new CEO of Screenrights, sketches a vision of evolutionary improvement.
The small group of artistic directors of major Australian film festivals is once again complete.
Over twenty years the exhibition landscape has changed enormously. Will film ever be as good again?
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