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Showing all Digital news in Features
One almost feels sorry for post-production houses. Too often filmmakers come to them too late in the process, too late in their thinking, and too late in their budget. Plus, the best post companies
When it comes to digital services, the BBC just gets it. The British broadcaster has for several years been charging headlong into the unfamiliar territory of the internet and digital delivery, armed
Picture in your mind the path that 80 taxis or garbage trucks might make during a day's driving. Or a day's airplanes landing at Heathrow. Try visualising a graph of the emotions that people feel as
SBS keeps telling documentary filmmakers that their pitches must contain an online component. Here they are caught in the spotlight explaining what that means, how it splays out, and how it has adapte
Genevieve Bell, an anthropologist fascinated by the relationship between culture and technology, delivered a torrent of words about broadband and its future implications. Fortunately, we have forensic
Can you do multiplatform without being a slave to the broadcaster? Yes, but it helps to cheep enticingly as you are being incubated.
About five kilometres across town from the glamourous ScreenHub headquarters sits the West Melbourne home of The Creature Technology Company, centre of the $100 million live action animatronic marvel,
Screen Australia announces the new documentary group, which will inherit the work of Film Australia, The Australian Film Commission and the Film Finance Corporation.
Major names, same old stuff? Not if you track the details, which Marcus Gillezeau is always determined to do. After all, the devil is in the detail - but so is the money.
The Victorian Curriculum and Assessment Authority has posted a discussion paper on its future directions, which has implications for children's television producers.
Here’s a ragbag of BAFTA animation awards winners which have made it onto the net, culled from films running at the 35mm festival in Moscow. For some reason it is not sponsored by Jameson.
Hard to think of it like this, but some of the most effective coverage of the fires has been created by non-traditional sources..
Today we REALLY need a few jokes and a little innocence.
Want to make your head itch with visual possibilities? Swedish Jonas Odell won the Sundance category for international shorts with his animation project, 'Lies'.
When Christian Bale went berserk at the Director of Photography on 'Terminator Salvation', the sound department somehow kept recording...
The Optus One80project is yet another competition which offers the opportunity to create “approximately 60 minutes of multi-platform content, to be comprised of 3-5 minute segments”, for w
$9.99, the Israel-Australia animated co-production originated by Australian producer Emile Sherman, came close to victory at The Annies, which are the industry version of the Oscars.
The Australian Cinematographers Society was founded in 1958 – with the dream of owning their own clubhouse in Sydney. After fifty years of careful saving and investment – they were about to buy. And
Here's a find in itself: the European archives have created a collective site to display their favourite bits of history. In which George Lucas is revealed as a sordid plagiarist!
PassmoreLab in the US, working with Spike & Mike, has converted Anthony Lucas' short film Slim Pickings into the first-ever clay animation 3-D film. "Who did that?" the animator asked.
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