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Showing all Digital news in Features
Elliot Schutz combines persistence of vision and a family passion for making Irish dancing costumes to create a sweet riff on a historical toy.
From act of lunacy to sensible career path, online drama producers keep hammering on the door.
Screen Queensland has slogged for nearly ten years on a budget under $10m. This year, the good fairy has broken those shackles.
Crowdfunding could become even more useful to the arts with some new legislation expected to be introduced by the end of the year.
Have we reached the peak of our fascination with technology? The future cherishes the human touch, smell and all.
Underneath the money and the mechanics is the raw fact that screen media are just lusciously visual and transplendant...
Emotional shocks and grief can blow your life apart but they can also be the very thing that connects you to what it is to be human.
Smart cultural organisations are moving beyond online archiving and social media to make digital media part of their creative process.
The AIDC is hiring a new team, has changed the management model, and is looking nationally for its conference staff.
The Government has finally responded to the long scandal of digital piracy with a historic piece of legislation. What happens next?
Artists are becoming more ambitious in their desire to work across platforms but is it what audiences want?
The locked gate between tertiary research funding and arts is being prised open, slowly and carefully.
The SPA Ones to Watch program has become career gold for emerging screen producers in a world of churn and hype
Online sharing has created new rules of exchange for artists who must find ways of converting followers who like their work into paying customers.
Far from killing film festivals, digital exposure may be growing audiences willing to try something different.
In a world where attention spans are dropping, tapping into trends as they happen is essential for cultural providers trying to beat the goldfish.
Australian theatrical design is distinctive for its collaborative approach, a quality that will be on display at an international scenography conference in Prague.
This year's SoundKilda winners have done beautiful work, varying from the intricate to the apparently artless. And here they are..
We all know times are changing in advertising, but the reconfiguration of The Feds is a concrete sign of the scale.
Animal Logic will just about double its output by setting up a studio in Vancouver, to run from September 2015.
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