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Showing all Film news
Rebooting this comic book hero proves an underdone, overblown slog.
Despite the patter of tiny feet and herds of feral tots, Hotel Mumbai, Us, Green Book and Woman at War bring a bit of dignity to the choc top queue.
Eraserhead, Empire of the Senses, O Lucky Man and Female Trouble – all in one single night of cinematic extremes in Sydney.
It's definitely the season for suspending your brain in special juices that let in the emotions and shut out our critical faculties. Just right for the election season?
Christian Petzold's stripped back melodrama takes not the slightest effort to recreate its World War II setting, yet it's all the more politically potent for that fact.
An ambitious and intoxicating trip into Tinseltown from the director who gave us 'It Follows'.
Warwick Thornton's The Beach, a Valerie Taylor shark documentary and an animated soccer series are some of the highlights.
Hotel Mumbai does well in the US while latest tentpole steals audiences over here.
The premieres of Top End Wedding and Animals at the Adelaide Film Festival's Popup stretch from urban tough to Indigenous lyrical.
Australian artist becomes Sundance Institute trustee; new Artistic Director for Canberra Writers Festival, and new Chair for Monkey Baa Theatre Company.
Woman at War has an underground reputation among festival goers who saw it by accident. They are universally delighted. So is our reviewer Mel Campbell.
At its best when it’s getting goofy, this all-ages DC superhero effort just can’t maintain its spark.
The famous outlaws hardly get a single close-up in this fascinating study of the rangers brought out of retirement to track them down.
A baby elephant stampede at the cinemas means you'll need this handy guide through the circus of kids' films on offer.
Has the Chinese industry broken into the richest genre of all? They would love to de-Americanise science fiction but that is a tough ask.
AFL star Adam Goodes, screen matriarch Freda Glyn, Juliette Binoche, Holliday Grainger, Dev Patel and a dog called Money glide onto the silver screen. It's SF 2019.
This World War II drama turns a distinctive slice of history into a clichéd and problematic love story.
Australia is known to be a tough market for horror, but when it approves the cash comes like a massive hive of bees. You can hear the buzz for Us deep in the Tanami Desert.
Can Ride Like a Girl beat the sports film hoodoo and pull a crowd in September? UPDATE: some answers from Transmission.
Spirited lead performances improve but can’t save this tear-jerking, formulaic rom-com.
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