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Showing all Film news
Australia's short filmmakers should scurry to be part of this important launchpad for their bite-sized stories.
A rich, detailed world of female friendship and a waning party vibe are key pleasures in Sophie Hyde's latest feature.
Originally trained as an actor, film director Kim Farrant shares deep wisdom about getting the best from performers.
From exhibitions about BFF, contractors announced for Sydney Modern and Australian Museum, Feminist Writers Festival, and this week's opportunities.
It is almost impossible, unless you got all VR, to avoid the use of a lens. Their effects are things of wonder according to Newton Thomas Sigel.
Danger Close raises provocative questions about the construction of a modern war film. Here's military scholar Tom Sears from the Australian Defence Forces Academy.
Opinions & Analysis
International stars Noomi Rapace and Yvonne Strahovski are the greatest assets in this Australian intimacy thriller, writes Adrian Martin.
Paranormal ABC thrills, voyeuristic couch-critics, hot craft competition and a very useful podcast from Screen Australia.
Nothing comes easy, especially with disabilities art. Three international leaders talk about the burdens and wins of activism, visibility, failure and collaboration as pathways to greater inclusion.
How will theatre company Back to Back adjust its joyful collective work to the sad disciplines of cinema development? They are about to find out.
Australian films hold their line but there are no charges to glory. Not even from the war film lovers.
The CinefestOz finalists for 2019 were a pretty good batch, with a family film about joy and optimism comes through on top as life imitates art.
Recuts are not just about director's versions. They have become a routine way of evolving the essence of a project.
The recent release of yet another extended cut of Apocalypse Now puts the vexed idea of the director's cut back onto the cultural agenda.
The 2019 Australian script writing opportunity kicks off again, linking Black List, Warner Bros and WA company Veerhuis.
Other than Once Upon a Time In Hollywood, the filmscape is full of yes-but films which disappoint, or terrify, or simply implode into cliches. It helps to know which is which.
The Babadook director returns with a different kind of horror: an essential film that gives voice to female suffering.
Victoria lands Netflix’s Clickbait, Indigenous Jewellery Project holds survey exhibition, AGWA celebrates 40 years of brutalism, 2020 programs announced and more arts news this week.
Artists with disability believe it is their right to be reviewed in the same way as abled artists; that the narrative should come from the quality of their work, not their disability.
Animation rules at the box office and limited release, while some Aussie productions are just hanging onto their screens.
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