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Showing all Film news
Australian films hold their line but there are no charges to glory. Not even from the war film lovers.
Recuts are not just about director's versions. They have become a routine way of evolving the essence of a project.
The recent release of yet another extended cut of Apocalypse Now puts the vexed idea of the director's cut back onto the cultural agenda.
Opinions & Analysis
The 2019 Australian script writing opportunity kicks off again, linking Black List, Warner Bros and WA company Veerhuis.
Other than Once Upon a Time In Hollywood, the filmscape is full of yes-but films which disappoint, or terrify, or simply implode into cliches. It helps to know which is which.
The Babadook director returns with a different kind of horror: an essential film that gives voice to female suffering.
Victoria lands Netflix’s Clickbait, Indigenous Jewellery Project holds survey exhibition, AGWA celebrates 40 years of brutalism, 2020 programs announced and more arts news this week.
Artists with disability believe it is their right to be reviewed in the same way as abled artists; that the narrative should come from the quality of their work, not their disability.
Inspired by a trash voodoo myth, Glitch gives the Undead an unnerving Australian edge even as it keeps the secret of its finale.
Animation rules at the box office and limited release, while some Aussie productions are just hanging onto their screens.
The Sydney Theatre Company’s The Harp in the South sweeps up the big prizes in the Australian Writers Guild awards.
New leadership roles announced for ACCA, UTS Animal Logic, Sydney Design Week, Overland, SA Film Corp, among others.
As action goes, the Fallen series has shot, stabbed and belted its way into the hearts of cinema goers and fictional presidents but this time it's personal.
This gangster tale could have been a feminist favourite, but its stellar cast are let down by one-note character writing.
It's a good week to rewrite history, with 'Once Upon a Time in Hollywood' and 'Mission Mangal' scoring big crowds.
Croser will take on a 3-year contract as Chief Executive at SA Film Corp, at an exciting time for the state's screen industries.
Heperi Mita's directorial debut celebrates his mother's unsung legacy of bringing Indigenous stories to the screen.
Three exhibitions at Koorie Heritage Trust examine the art of cartography, Blak cinema, and contemporary adornment.
MIFF Critics Campus coordinator Luke Goodsell talks about Rotten Tomatoes, the future of film criticism and how the program for emerging critics has evolved.
Avid cinephile Faith Everard revelled in killer dresses, lesbian S&M and folk revenge at this year's Melbourne Film Fest.
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